Absolute Elsewhere

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THE VELVET UNDERGROUND, WHAT GOES ON (BOX SET, 1993): The velvet blueprint

20 Feb 2010  |  4 min read

Most reviewers of this well-packaged, 57-track, three-disc set can’t help but comment on the overwrought essay by Clinton Walker who starts with superlatives, then works up to a screech. He sets up the customary and needless rock-crit comparisons (VU more street-damaged than the Beatles. So?) to advance the case that the Velvets were the most important band ever in rock –... > Read more

The Velvet Underground: Extemporisation ("melody laughter"?) November 1966

LOU REED AND PATTI SMITH IN THE 21ST CENTURY: Patent pending

15 Feb 2010  |  3 min read

When those archetypal New Yorkers Lou Reed and Patti Smith both released albums in the early days of 2000, it allowed anyone still interested in their careers the chance to consider their relative positions as they entered a new decade -- in fact a new century -- about 25 years (and more) on from their career defining best work. Neither of them seemed especially interested in what we might... > Read more

Lou Reed: Paranoia Key of E

A RHYTHM AND BLUES TIMELINE 1900 - 1960

12 Feb 2010  |  4 min read  |  2

Here follows a broad outline of the growth and development of rhythm and blues, courtesy of Rhythm and Blues Records in the UK, a company which specialises in this music.  PRE 1910 1877 Invention of the Phonograph 1883 Racist coon songs introduced into vaudeville and burlesque 1896 Jim Crow Segregation laws 1897 World’s first radio station on the Isle of... > Read more

Big Joe Williams: Baby Please Don't Go (1947)

EVAN DANDO OF THE LEMONHEADS INTERVIEWED (2004): Learning to crawl

1 Feb 2010  |  7 min read

You know how the arc of fame moves in the States: you have a minor career in rock, hip-hop or the movies so you take to drink, drugs or become addicted to pain-killers. (Who knew there was that much lower back pain in success?) Then you spin out of control. You do silly things such as marrying in Las Vegas to someone you just met, date transvestites or punch a photographer. Then you get... > Read more

Evan Dando: Frying Pan

JEFF KELLY AND THE GREEN PAJAMAS: The other sound of Seattle

29 Jan 2010  |  3 min read  |  1

One day, just before I went to the Pacific Northwest, I had lunch with a friend. When I told him I was going to Seattle he said, "Are you going to see Green Pajamas?" I had no idea what he was talking about, I thought he meant some stage play.At this point my friend -- who has a big-time job in a major record company -- regailed me with enthusiasm about the genius of Jeff... > Read more

Green Pajamas: The White Witch

PET ROCKS AND PUNK ROCK: Have A Nice Decade; The '70s Pop Culture Box considered

17 Jan 2010  |  2 min read

It might have been famously "the decade that taste forgot", but the Seventies has spawned an interesting nostalgia for smiley faces (on e-mails!), terrific films such as Dazed and Confused . . . and this extraordinary box set of seven CDs which unflinchingly collects up the great (James Brown's The Payback, Freda Payne's Band of Gold and Gladys Knight and the Pips' Midnight Train to... > Read more

Paper Lace: The Night Chicago Died

MOTOWN, THE FIRST TWO DECADES: There's a place in the sun

11 Jan 2010  |  3 min read

In 2009, Motown celebrated its 50th anniversary. Not that there was much to celebrate in 2009. The golden years for this classic and culture-shifting label had started to wither some three decades previous and it was notable that when it released compilation albums to cash in on this anniversary they were shoddy and sorry affairs, woeful in their tracklisting, and elevated Michael Jackson.... > Read more

Marvin Gaye: I Heard It Through the Grapevine

MAURICE GREER INTERVIEWED (2002): A stand-up guy

9 Jan 2010  |  3 min read

Yes, it would be at least 30 years since they'd last played together, says Maurice Greer sounding as if the enormity of that chasm in time had just hit him. "Gee, it must have been about the end of 1970, because we'd done the Pins In It album and we'd gone to Australia and Billy had stayed there and I came back and we had a keyboard player ... We've got a family tree made up and... > Read more

MARIANNE DISSARD INTERVIEWED (2009): The Tucson chanteuse

7 Jan 2010  |  11 min read

Marianne Dissard is a woman whose music confounds expectations, yet there is an impeccable logic to it: she is French but lives in Tucson, so there is an almost inevitable marriage of chanson and Americana on her album L’entredeux which was produced by Joey Burns of Calexico, who also wrote the music which envelops and supports Dissard’s poetic lyrics. She in fact has also been... > Read more

Marianne Dissard: L'embellie

NU METAL IN 2001: Look at the nu boss, same as the old boss

1 Jan 2010  |  6 min read

Heavy metal is for young men without a war of their own, wrote a wag in Creem magazine some time in the early Seventies. At the time Led Zeppelin were stomping across the planet delivering their stolen blues and post-pop at ear-shattering volume. You can catch it in their concert film The Song Remains the Same -- and they look like a bunch of pussies. Metal these days is a much more... > Read more

THE ROLLING STONES' GET YER YA-YA'S OUT! (2009): The '69 Garden party

13 Dec 2009  |  4 min read  |  1

The live album -- or double live as was standard in the days of vinyl -- has had a chequered history in rock: some live albums defined an artists career (Frampton Comes Alive, Thin Lizzy's Live and Dangerous) and others added little to the sum of our knowledge (most of Dylan's). Some artists regularly drop live albums (Paul McCartney, who has a huge backlog of songs to draw from) and others... > Read more

The Rolling Stones: Love in Vain

JOHN BOUTTE INTERVIEWED (2002): Easy out of the Big Easy

27 Nov 2009  |  4 min read  |  1

If you could distil the history of New Orleans down to a few litres of blood, they'd probably be pumping around John Boutte's body. Listen to this. "The European side of my family has been here since 1760. There were two brothers Boutte, Pierre and Hillary, who was an architect who built what is now the oldest theatre in New Orleans. It was originally the Spanish governor's... > Read more

John Boutte with Doug Cox and Salil Bhatt: Make a Better World (from the album Slide to Freedom 2)

LONG JOHN BALDRY INTERVIEWED (2002): What becomes a legend most.

16 Nov 2009  |  4 min read

They didn't call him Long John for nothing. Standing more than 2m tall, John Baldry was a towering figure in British r'n'b during the 60s.  Alongside John Mayall, Long John Baldry was a kingmaker whose various groups included the young Mick Jagger and Charlie Watts, later of the Rolling Stones, and the 16-year-old Jimmy Page (Led Zeppelin). Rod Stewart, whom Baldry spotted playing... > Read more

GWEN STEFANI of NO DOUBT INTERVIEWED (2001): Style and substance

15 Nov 2009  |  8 min read

The fact is, Gwen Stefani of No Doubt looks even more gorgeous lounging casually on the couch opposite than she does in her carefully styled photo shoots.  While her magazine image is often that of a distant, pouting, sexually empowered ice-queen -- "Glamazon" is the new description -- in real life she glows naturally, laughs unselfconsciously, radiates curiosity and furrows... > Read more

No Doubt: Hey Baby

THE DECEMBERISTS’ JOHN MOEN INTERVIEWED (2009): Marching to his own drum

10 Nov 2009  |  11 min read

With all due respect to their craft, drummers aren’t usually the people you want to interview in a band. As saxophonist Branford Marsalis -- who played in Sting’s band -- recently noted, the audience’s attention is on the singer and the guitarist, “the rest of us are just background.” And the drummer -- who doesn’t write or sing the songs -- is maybe the... > Read more

The Decemberists: Won't Want for Love

THE POSIES, KEN STRINGFELLOW INTERVIEWED (2006): Power pop to the top

26 Oct 2009  |  4 min read  |  1

For a man about to go on stage in Holland, Ken Stringfellow sounds as if he’s got his feet on the desk and thinking about getting home for a night in front of the tele. The relaxed Stringfellow has spent a large part of the past 25 years facing audiences: with the neo-psychedelic outfit Sky Cries Mary out of Seattle in the late 80s; in the past decade as a member of REM’s... > Read more

The Posies: Conversations (from the album Every Kind of Light, 2005)

LLOYD COLE INTERVIEWED (2000): This changing man

23 Oct 2009  |  4 min read

Lloyd Cole, the Derbyshire-born pop singer-songwriter who sprang to attention in the mid-80s for his introspective literate lyrics with his band the Commotions, quit Britain for New York in 1988 for six months - and has now stayed for 12 years. With his American wife and two children, he lives in the wilderness three hours north of New York and two hours west of Boston. He has a... > Read more

LLoyd Cole: Are You Ready to be Heartbroken? (from Rattlesnakes)

JORDAN REYNE INTERVIEWED (2009): Tales from the dark side

22 Oct 2009  |  11 min read

Jordan Reyne is one of New Zealand’s most challenging and innovative songwriters. Whether it be on albums under her own name or as Dr Kervorkian and the Suicide Machine, Reyne has pushed sonic and lyrical boundaries, pulled together electronica and acoustic instruments, explored noir-narratives and personal emotional states  . . . and largely gone without an audience. Which might... > Read more

Jordan Reyne: Passenger (from the album Passenger, 2004)

JUDEE SILL (1944-79): The disappearing crayon angel

18 Oct 2009  |  4 min read  |  1

There seem an alarming number of women musicians written out of popular culture: Doris Troy, Minnie Ripperton, Laura Nyro, Judy Henske, Mireille Mathieu, folk-rocker Cindy Lee Berryhill . . . And who these days even cites Janis Joplin either as an influence, or simply as someone worthy of serious critical or popular attention? These (and dozens of others) were all women who made, if not... > Read more

Nicolai Dunger: Soldier of the Heart

THE FLAMING LIPS' WAYNE COYNE INTERVIEWED (2004): In search of the miraculous

17 Oct 2009  |  8 min read

Wayne Coyne of the Flaming Lips is in his kitchen in Oklahoma City saying he likes that rock'n'roll is a broad church. It allows alternative music to co-exist with MTV and pop radio. "I don't want the world to be just made up of music like the Flaming Lips, White Stripes and Yeah Yeah Yeahs. I like that rock'n'roll is an uncontrollable beast throwing away great artists and celebrating... > Read more

The Flaming Lips: All We Have is Now (from Yoshimi Battles the Pink Robots)