Absolute Elsewhere

Subscribe to my newsletter for weekly updates.

WILLIE NELSON INTERVIEWED 1998: The hard working lazy man

1 Mar 2008  |  5 min read

There’s not a lot you can say about the latest Willie Nelson album Teatro. Produced by Daniel Lanois, it’s Nelson’s second for the Island label after the critically acclaimed Spirit, has a band which includes Emmylou Harris and Luscious Jackson drummer Tony Mangurian, and is little more -- or less -- than another addition to Nelson’s extensive catalogue of more than 200... > Read more

ABBEY ROAD REVISITED (2006): Crossing the crossing

29 Feb 2008  |  4 min read

Long before you reach the most famous recording studio in the world you can hear the sound. But it is not music coming from inside the walls. It is the squeal of tyres as another car or truck slams on its brakes because a tourist - and often a whole group - has stepped on to the nearby pedestrian crossing to have a photo taken in imitation of an iconic image shot here on a late summer's day in... > Read more

WILLIE NELSON ALBUM REVIEWS 2000 - 2005: What a long strange trip

29 Feb 2008  |  6 min read

He smoked a joint on the roof of the White House, sang with Julio Iglesias and on We Are The World, and he's still here. And still great -- sometimes. Willie Nelson, much like Dean Martin, has an effortless approach to life -- and recording. He could, as they say, sing a telephone directory and make it sound intersting. But latterly it is almost as if that is what he is doing: far too... > Read more

ORNETTE COLEMAN: Notes for the programme, International Festival of the Arts, Wellington NZ 2008

24 Feb 2008  |  3 min read

Few musicians remain creative their whole life. Most fall back on familiar styles or even phrases, others peak early and their career becomes a long and slightly embarrassing re-run of former glories. Yet Ornette Coleman (born in Fort Worth, Texas, 1930) has not only been restlessly inventive but is widely considered one of the great innovators of the 20th century. Even in the new... > Read more

THE BEATLES' LOVE ALBUM REVIEWED (2007): Remake and remodel

21 Feb 2008  |  3 min read

The Beatles are back, and in this collage of classic sounds sounding more trippy than even during the Summer of Love. Beatles’ music has always been reinterpreted. Even in the mid 60s when Lennon/McCartney were churning out chirpy chart-toppers their songs were being performed by Arthur Fielder and his Boston Pops orchestra, middle-of-the-road acts like the Brothers Four, earnest folkies,... > Read more

THE BEATLES' LET IT BE NAKED REVIEWED (2003): Get back . . . at Phil

21 Feb 2008  |  5 min read

The story behind the making of the Beatles' 1970 album Let It Be is well known, but to recap: The "White Album" of 68 was aural proof each was going his own way; however, late in the year, McCartney suggested they do a back-to-basics recording, ostensibly for an album to be called Get Back -- and get a film crew to make a doco to go with it. When they reconvened in January '69... > Read more

BEATLES FOR SALE, AGAIN: The release of Anthology 1 (London, 1995)

20 Feb 2008  |  7 min read

The release of any Beatles album was always an occasion, so 25 years after the band broke up, the plush ambience of the Lancaster Room in the Savoy Hotel doesn’t seem inappropriate for the launch of The Beatles' Anthology 1, a collection of out-takes and unreleased material, the first of a series of three double CDs that effectively mops up the Mop Tops. But with 200 invited... > Read more

BOB GRUEN PHOTOGRAPHER, INTERVIEWED (1998): The man who shot John Lennon, many times

19 Feb 2008  |  3 min read

Photographer Bob Gruen is affable and chatty but clearly on autopilot. His stories, good though they are, are worn smooth by repetition. But to his credit he repeats them with enthusiasm and they are received by the various media representatives with equal pleasure. And despite this having the feel of the “I danced with a man who danced with a woman who danced with the Prince of... > Read more

THE BEATLES AND APPLE RECORDS: Western communism and rotten at the core

15 Feb 2008  |  2 min read

The Beatles faced a screaming audience for the last time at San Francisco's Candlestick Park in August 1966. After that they retired as a live band. It was inevitable. As Ringo Starr said of their touring years: "It was the worst time and the best time of my life. The best time because we played a lot of good music. The worst time ... it was like 24 hours a day without a break: press,... > Read more

THE BEATLES IN AMERICA 1964: Songs of innocence -- and experience (DVD reviewed, 2004)

14 Feb 2008  |  8 min read  |  1

In the beginning there were just the four of them. Then we learned of the fifth Beatle. Depending on who you talked to it was producer George Martin, New York DJ Murray the K, or the dumped drummer Pete Best. Then we heard about their Hamburg days and the dead Beatle Stu Sutcliffe, their manager Brian Epstein (below) and the rest of the supporting cast.  As their legend grew the... > Read more

YOKO ONO: Back with the blueprint (2001) and re-disc-covered (2007)

14 Feb 2008  |  5 min read

Some years ago at another posthumous John Lennon album launch, a journalist asked Yoko Ono why she hadn't released an album of her own in quite some while. "There seemed no great call for it," she laughed. True enough. Whether it be her extraordinary primal screaming and emotional venting, her un-nuanced feminist polemics or naive childlike songs, there was never a groundswell of... > Read more

JOHN LENNON, IMAGINE RECONSIDERED (2000): Peace in our time?

14 Feb 2008  |  4 min read

Some people just don't get it, do they? Wouldn't you love to meet those gearing up to pay an expected $4.5 million at on-line auction for the piano on which John Lennon wrote Imagine? Imagine no possessions, huh? Of course, the Famous White Piano will command top dollar because Imagine was recently voted the best song ever written or something, and in Britain was used to welcome the new... > Read more

RANDY NEWMAN INTERVIEWED (1999): What's the Buzz?

6 Feb 2008  |  5 min read

Randy Newman is a problem in popular culture, a man misplaced into the rock textbooks simply because there's nowhere else to put him. He's part of rock culture by association (his albums are reviewed in rock magazines) but more correctly he's an ironic, acerbic songwriter who has populated his songs with an extraordinary collection of bigots, misfits, racists and cynics for three decades.He... > Read more

NORAH JONES INTERVIEWED (2002 and 2003) AND ALBUM REVIEWS: Great Expectations -- and then some

6 Feb 2008  |  29 min read

Somebody up there obviously likes Norah Jones and blessed her with extraordinary good looks. Those are her cheekbones and ruby lips which have been replicated in their thousands and grace the cover of her album Come Away With Me.  And just in case her looks alone weren't enough to draw attention to this 22-year-old singer/pianist, that somebody up there also blessed her with musical... > Read more

BUDDY GUY INTERVIEWED (2001): One of the last men standing

6 Feb 2008  |  6 min read

Oddly enough, this is not the best time to talk to 64-year-old bluesman Buddy Guy - despite him having released Sweet Tea, one of the finest albums in his long career.It is days after the death of his contemporary John Lee Hooker and Guy is understandably philosophical rather than keen to talk up his new album which was, uncharacteristically for this seminal figure in Chicago blues, recorded in... > Read more

JOHN PAUL JONES OF LED ZEPPELIN INTERVIEWED (2003): The songs remain reissued

6 Feb 2008  |  13 min read

They might have been the biggest band in the world at the time, but they were openly despised, ignored or condemned by critics. Even later, after the shouting had died and a clearer perspective was possible, Dave Marsh, one of America's most venerated rock writers, couldn't resist another attack.He damned one of their classic songs as "the most vulgar record in [rock history]" and... > Read more

TIM AND JEFF BUCKLEY: Their short musical legacy (2004)

6 Feb 2008  |  4 min read

The shoreline beneath the Memphis Visitors Centre -- with its massive statues of Elvis and BB King -- isn't that appealing. There's a rocky bank scattered with litter leading down to Wolf River, a sliver of thick water between the city and Mud Island, renowned for its swirling eddies and unpredictable undercurrents. You wouldn't want to swim in dirty and dangerous Wolf River, least of all... > Read more

ERIC BURDON INTERVIEWED 2001: The songs of a survivor

6 Feb 2008  |  6 min read

Eric Burdon is alive and ... well, the fact that this founder member of Britain's legendary 60s r'n'b garage band The Animals is alive is enough to be happy with, let alone that he sounds well. Speaking from his California home in Joshua Tree, Burdon -- croaky of voice and lucid, if tangential, in conversation -- sounds extremely well for a man aged 60 who has been singing throat-abusing blues... > Read more

XTC's ANDY PARTRIDGE INTERVIEWED: A man in the middle ages (1999)

6 Feb 2008  |  6 min read

The last time XTC had a new album out, Oasis didn't. In fact Oasis didn't even exist back when Andy Partridge, Colin Moulding and Dave Gregory dropped their assured 1992 album Nonsuch on a world which simply looked the other way. Since then these veterans of the 70s punk-new wave wars have been on strike (their deal with Virgin ensured the company would make money, but they wouldn't) and... > Read more

BILL PAYNE OF LITTLE FEAT INTERVIEWED (2001): Feat don't fail me now

6 Feb 2008  |  5 min read  |  1

Bringing up the "famous dead member" is never easy when you are talking to a band. It can seem ghoulish, is most often unnecessary and can result in suddenly finding yourself alone in the room or that telephone tone which says you've just been hung up on, don't bother calling back. When the American band Little Feat lost their founder, main songwriter and slide guitarist Lowell... > Read more