Peg Leg Howell: Please Ma'am (1928)

 |   |  <1 min read

Peg Leg Howell: Please Ma'am (1928)

Just as a lot of blues artists were “Blind” and there were a few “Peg Leg” characters out there.

Georgia-born Josh Howell got his nickname after he lost a leg when he was shot by his brother-in-law. He'd already established a reputation as an excellent finger-picker but now, unable to work on the farm, he moved to Atlanta and became a street performer before he began recording for Columbia (after a spell in prison for bootlegging).

His style is considered country blues and Howell one of the unsung heroes of the genre who seldom recorded after the late Thirties.

His rediscovery in the early Sixties when he was in his mid Seventies – and lost his other leg to diabetes – came a bit too late for him.

He died in '66.

But as an authentic voice from someone who could play and sing plaintive country blues like this, he was an important, if not influential figure.

.

For more one-off or unusual songs with an interesting backstory see From the Vaults.

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Dion: Born To Be With You (1975)

Dion: Born To Be With You (1975)

In the world outside the US, most people seem to only know Dion for a couple of classic hits like Runaround Sue and The Wanderer in '61. It appeared Dion and his kind had been washed away by... > Read more

The Warlocks: Can't Come Down (1965)

The Warlocks: Can't Come Down (1965)

By the mid Sixties the spirit and style of poetic Bob Dylan was everywhere as singers and writers tried to match his surreal wordplay. Dylan's harmonica, image heavy lyrics and monotone is... > Read more

Elsewhere at Elsewhere

ERSATZ ZEPPELINS IN CONCERTS (2017) The battle of . . . even more

ERSATZ ZEPPELINS IN CONCERTS (2017) The battle of . . . even more

Around the time of the launch of the first Beatles' Anthology collection in '95 – kicked off by the “new” song Free As a Bird – the lonely voices from the balcony became... > Read more

THE BEATLES: HEAR AND NOW; LIVE IN THE STUDIO 24/1/69 (2018): Wired for the sounds of silence

THE BEATLES: HEAR AND NOW; LIVE IN THE STUDIO 24/1/69 (2018): Wired for the sounds of silence

Just as Beatle fans are coming to financial terms with the magisterial expanded reissue of The White Album – seven discs, a book and photos in the Deluxe Edition -- comes news from Apple... > Read more