Lou Reed: Families (1979)

 |   |  1 min read

Lou Reed: Families (1979)

Lou Reed probably never struck you as having a sentimental streak, but this song (from his album The Bells) is as nakedly autobiographical and pained as John Lennon's Mother.

It is the sound of a son who knows he has disappointed the family but equally realises there is no way back.

Interesting too is the tone of regret and sadness at what has been lost, and the line changes from "I don't get home much anymore" to "I don't think I'll be coming home anymore".

At this time Reed, still on multiple drugs, had separated from his transvestite lover Rachel and had taken up with 22-year old stripper Sylvia Morales whom he had met at an S&M group. She, by weird coincidence, was seeing his former Velvet Underground bandmate John Cale. (Reed and Morales married on Valentine's Day 1980)

He recorded The Bells in Germany (he didn't want to go there apparently) and although he hailed it, the public and his record company were indifferent. The album stalled well below the top 100 and to be fair it is very patchy.

But the title track (which was inspired by an Edgar Allen Poe poem and features jazz trumpeter Don Cherry) is among one of his best -- and then there is Families which seemed to go largely unnoticed at the time.

Reed aches with pain and regret and the final lines to the dirge-like and funereal pace seem to sum it up: "Families that live out in the suburbs often make each other cry".

One of Reed's finest, most personally revealing, songs. 

Share It

Your Comments

Greg Fleming - Mar 29, 2010

Yes - one of my fave Lou reed tracks too, from a very under-rated record. On the original vinyl this came with an insert full of press clippings. In one of them Lou says something -"if you can't play jazz and you can't play rock'n'roll you put the two together and you really got something."

All Through The Night, City Lights and Stupid Man are also splendid.
The other much underestimated LR 70s album is the life-as-performance-art - Take No Prisoners - inspired, embarrassing , self-indulgent, incandescent - sometimes all at once, containing staggering versions of Berlin, Coney Island Baby and Street Hassle.

post a comment

More from this section   From the Vaults articles index

GHP: Rapture Riders (2004)

GHP: Rapture Riders (2004)

One of the most famous tracks by GHP (British DJ/producer and remixer Mark Vidler), this breakthrough in mash-ups was so good it was approved by both Blondie and the Doors (whose Rapture and Riders... > Read more

Bo Diddley: Say Man (1958)

Bo Diddley: Say Man (1958)

The late Bo Diddley was perhaps best known for that distinctive self-titled riff that he bequeathed to rock. He used it on a number of songs -- Hey Bo Diddley, Pretty Thing, Hush Your Mouth and... > Read more

Elsewhere at Elsewhere

COBAIN: MONTAGE OF HECK, a film by BRETT MORGEN

COBAIN: MONTAGE OF HECK, a film by BRETT MORGEN

In the final third of this sometimes uneven but always fascinating two-hour documentary about Kurt Cobain there is considerable previously unseen home footage. There we see Cobain, his wife... > Read more

THE BARGAIN BUY: Various Artists; New Orleans. Blues, soul and jazz gumbo

THE BARGAIN BUY: Various Artists; New Orleans. Blues, soul and jazz gumbo

When New Orleans -- aka The Big Easy, The City That Care Forgot -- became the very big uneasy and the city the administration forgot in the wake of Katrina and the flooding, many people around the... > Read more