Ringo Starr: Early 1970 (1970)

 |   |  1 min read

Ringo Starr: Early 1970 (1970)

It was one of the great ironies that after the Beatles broke up the solo careers of the songwriters Lennon and McCartney languished for a while, and that George Harrison unleashed the phenomenally successful All Things Must Pass triple album (with the chart-topper My Sweet Lord)

But the most succesful solo Beatle was -- and here's the real irony -- the drummer who wasn't much cop as a singer, could barely play piano and had only written a couple of songs, which he'd had help with.

In the first few years after the Beatles broke up, Ringo Starr worried the charts more than all the others. He had a string of successful singles: It Don't Come Easy, Back Off Boogaloo, Photograph, Your Sixteen, Oh My My, the No No Song . . .

On the album front he started his solo career with Sentimental Journey (covers of songs he'd heard as a kid, it went top 10 in the UK), the country album Beaucoups of Blues recorded in Nashville (no chart action but critically approved of) then Ringo in '73 which also went top 10 in Britain.

After '75 there were diminishing returns and increasingly his solo albums were released to absolute indifference . . . but for a while there the least promising solo Beatle had enjoyed quite some chart action. And he made movies.

He also wrote a few songs (imagine his delight when the self-penned It Don't Come Easy went top five in the UK) and among them is this one, the flip side of It Don't Come Easy and an autobiographical lament for the situation between the former Beatles.

The estranged McCartney is living on the farm ("when he comes to town I wonder if he'll play with me"), Lennon is lying in bed with Yoko ("when he comes to town I know he's gonna play with me") and the long legged guitar picker is Harrison ("he's always in town playing for you with me").

Produced by Harrison (who also plays on it), Early 1970 pretty much summed up the state of things.

In the final verse Starr amusingly outlines his own musical limitations ("I play the piano if it's in C") . . . then concludes "when I go to town I wanna see all three".

Well, that didn't happen.

Sort of a sad song in way, you kinda feel for lovable, harmless, peace-maker Ringo.

But then again he was cracking hits while the others weren't, so . . .

For more one-offs, oddities or songs with an interesting backstory see From the Vaults

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Aretha Franklin: Don't Play That Song For Me (1970)

Aretha Franklin: Don't Play That Song For Me (1970)

It's a well established fact that some songs write themselves into our autobiographies: we remember our first love by our favourite song, can be taken back to exactly where we were and who we were... > Read more

The Beatles: Old Brown Shoe (1969)

The Beatles: Old Brown Shoe (1969)

Although there's probably no such thing as an obscure Beatles' song, this one by George Harrison comes pretty close. It was the b-side to Lennon's Ballad of John and Yoko, and made it onto the... > Read more

Elsewhere at Elsewhere

AUCKLAND'S LONDON BAR, CELEBRATED (2000): Half a century of sound

AUCKLAND'S LONDON BAR, CELEBRATED (2000): Half a century of sound

When the London Bar of the Civic Tavern celebrates 50 continuous years of jazz in a three-day festival you hope the organisers will have invited someone who was a regular all that time.Ask around... > Read more

LOCUS AND LOCATION: THE SOCIO-GEOGRAPHY AND POST-COLONIAL DISCOURSE IN DON McGLASHAN'S DOMINION ROAD

LOCUS AND LOCATION: THE SOCIO-GEOGRAPHY AND POST-COLONIAL DISCOURSE IN DON McGLASHAN'S DOMINION ROAD

Don McGlashan is one of New Zealand's most respected and successful songwriters. He been awarded the Apra Silver Scroll for songwriting 47 times and has been given honorary doctorates from many New... > Read more