Bob Marley and the Wailers: Let the Lord Be Seen in You (1965)

 |   |  1 min read

Bob Marley and the Wailers: Let the Lord Be Seen in You (1965)

Bob Marley only had about seven high-profile years between No Woman No Cry and Redemption Song, about the same length of time the Beatles had between Please Please Me and the break-up.

But of course, like the Beatles, there was Bob before and after that. After that was, notably, the posthumus album Confrontation in '83 which contained Buffalo Soldier, one of his greatest songs.

And before No Woman No Cry was . . .

Well, about a decade of studio time going right back to the early Sixties and his first local hit (with the Wailers), the ska-driven Simmer Down of '64 which was a plea for rude boys to step back from the street-fighting which was menacing the ghetto of Trenchtown.

In the mid Sixties, Marley and the Wailers were trying out and adapting all kinds of songs -- the Beatles' And I Love Her, Dylan's Like a Rolling Stone, even White Christmas.

Producer Coxsone Dodd would also ply the Wailers -- Marley, Peter Tosh and Bunny Livingston -- with soul and doo-wop songs from the States and so they were able to listen to close harmony groups like the Moonglows, the Impressions and others.

This recording from '65 found the Wailers in the studio with Jackie Mittoo on spare piano, and singers Cherry Green and Beverley Kelso (the Spiritual Sisters) on a version of a gospel song which Marley liked a lot -- and you can hear how, even in these early days, he found that spirit voice within which would become so commanding a decade later.

Even then, a man of profound faith.

For more one-offs, oddities and songs with an interesting backstory check out the vast  From the Vaults.

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

Honeyboy: Bloodstains on the Wall (1953)

Honeyboy: Bloodstains on the Wall (1953)

Not much is known about Honeyboy (Frank Patt) other than he was born in 1928 in Fostoria, Alabama -- and that this song, considered his finest outing on the Speciality label in the Fifties, sold... > Read more

Ginsberg/McCartney/Kaye/Glass/Mansfield/Ribot: Ballad of the Skeletons (1996)

Ginsberg/McCartney/Kaye/Glass/Mansfield/Ribot: Ballad of the Skeletons (1996)

Here's an unlikely supergroup: poet Allen Ginsberg with Paul McCartney and Lenny Kaye (of the Patti Smith Group and Nuggets fame) and others. Now they may not have all been in... > Read more

Elsewhere at Elsewhere

Robbie Fulks: Gone Away Backwards (Bloodshot/Southbound)

Robbie Fulks: Gone Away Backwards (Bloodshot/Southbound)

Country singer Fulks will always get a fair hearing at Elsewhere on the basis of one song alone, his courageous cover of Cher's Believe which he delivered solo as a slow and aching ballad (with his... > Read more

YOKO ONO: TAKE ME TO THE LAND OF HELL, CONSIDERED (2013): As ever, Yoko is as Yoko does

YOKO ONO: TAKE ME TO THE LAND OF HELL, CONSIDERED (2013): As ever, Yoko is as Yoko does

As endearing as it is idiosyncratic, as brilliant as it is bonkers, Yoko Ono's 2013 album Take Me to The Land of Hell (with the Plastic Ono Band) mostly served to remind what a unique artist she... > Read more