The Beatles: Revolution Take 20, 10 minutes long (1968)

 |   |  <1 min read

The Beatles: Revolution Take 20, 10 minutes long (1968)

This 10 minute version of the John Lennon's Revolution ended up being cut up into the acoustic version of Revolution on The White Album and some of the last part became part of the sonic tapestry of Revolution 9.

Whether it would have worked as it stands here on that album is open to debate, but it certainly would have pushed the boundaries of tolerance for some.

An interesting recording technique for some of it too. 

“John decided he would feel more comfortable on the floor," said recording engineer Brian Gibson, "so I had to rig up a microphone which would be suspended on a boom above his mouth. It struck me as somewhat odd, a little eccentric, but they were always looking for a different sound; something new.”

Indeed.

.

For more oddities, one-offs or songs with an interesting backstory check the massive back-catalogue at From the Vaults.

Share It

Your Comments

post a comment

More from this section   From the Vaults articles index

The Shangri-Las: I Can Never Go Home Anymore (1965)

The Shangri-Las: I Can Never Go Home Anymore (1965)

The spoken-word song -- often with a moral or a message -- has rarely been as popular as it was in the early Sixties. Back then there were numerous examples and although only a few became hugely... > Read more

No Way Sis: I'd Like to Teach the World to Sing (1996)

No Way Sis: I'd Like to Teach the World to Sing (1996)

For the Oasis tribute band No Way Sis their work was done for them: Oasis were notorious for borrowing/plagiarising/thieving melodies which songwriter Noel Gallagher cheeerfully admitted -- and... > Read more

Elsewhere at Elsewhere

GUEST WRITER MARK ROACH OF RECORDED MUSIC NEW ZEALAND explains the project of Auckland, City of Music

GUEST WRITER MARK ROACH OF RECORDED MUSIC NEW ZEALAND explains the project of Auckland, City of Music

When you say the words ‘music city’, thoughts naturally go to the most famous of those: Nashville, Memphis, London, NYC, Austin… But the term Music Cities is more frequently... > Read more

Daniel Brandt: Eternal Something (Erased Tapes/Southbound)

Daniel Brandt: Eternal Something (Erased Tapes/Southbound)

On our favourite arthouse-cum-ambient label Erased Tapes comes this instrumental debut by the percussionist/multi-instrumentalist Brandt who is also the co-founder of Germany's Brandt Brauer... > Read more