From the Vaults

Peter Cook and Dudley Moore: The LS Bumble Bee (1967)

27 Apr 2012 | <1 min read

From Stan Freberg and Peter Sellers through National Lampoon, the Rutles, Weird Al Yankovich and Spinal Tap, there has been a long tradition of skewering the foibles and excesses of pop culture. This piece appeared during the Summer of Love and took a poke at hippie culture, drugs and the infatuation with all things Indian. A rather obvious target and while this isn't up there with... > Read more

The Herd: From the Underworld (1967)

25 Apr 2012 | 1 min read | 1

It's not often Greek mythology cracks the top 10, but the Herd managed to do it with song from the autumn of love (September '67) which is based on the Orpheus and Eurydice story. After the death of Eurydice, Orpheus travels to the underworld and by using music he melts the hearts of the gods down there who agree to let the missus come back into life. The deal however is that she must walk... > Read more

Roy Milton: The Hucklebuck (1949)

23 Apr 2012 | 1 min read

The career of band leader, jump jive and rhythm and blues singer Roy Milton (1907-83) is long and convoluted, and full of crossover chart hits in the Forties and Fifties. His story is best told here, so let's just focus on this song -- which New Zealanders will recognise because it was given an upbeat overhaul in 1965 and became a chart hit for the hugely popular sister duo The Chicks out... > Read more

Broadcast: Chord Simple (2006)

20 Apr 2012 | <1 min read

The British electronica band Broadcast were very big, in a quiet and inconspicuous way. And regrettably dogged by misfortune, if not tragedy. They formed in the mid 2000s, had a track on the first Austin Powers soundtrack (the somewhat forgettable Book Lovers), changed line-up a bit, and Simpsons' creator Matt Groenig had them on the bill for the All Tomorrow's Parties festival in... > Read more

Romeo Void: Never Say Never (1982)

18 Apr 2012 | 1 min read | 1

The British label Stiff Records (which gave the world Jona Lewie, Lena Lovich and Wreckless Eric alongside Elvis Costello and Ian Dury, among others) said everybody had one good single in them. Romeo Void out of San Francisco had Never Say Never, a smart sliver of New Wave pop which rode a relentless beat and was elevated not just by the ennui and indifference of singer Debora Iyall but by... > Read more

Le Roi Jones: Our Nation is Like Ourselves (1970)

17 Apr 2012 | <1 min read

Recorded at Buffalo State University, Le Roi Jones -- aka Amiri Baraka -- wasn't taking any prisoners in this powerful reading where he was among the first to reclaim and redefine the "N" word and throw "motherfugga" into the public domain. It was also -- like the earlier work by The Last Poets and Gil Scott Heron -- a call to arms, or at the very least a cry against... > Read more

Bill Elliot and the Elastic Oz Band: God Save Us (1971)

12 Apr 2012 | 1 min read

The problem with political songs is that so often they are merely sloganeering and headlines. Fine print and nuance can't make it into a three minute song. Still, there's nothing quite like a chant such as "power to the people" -- even if we are never quite sure which people should have the power. For a few years from the late Sixties, John Lennon's "political"... > Read more

Karen Dalton: God Bless the Child (1966)

10 Apr 2012 | 1 min read

The new wave of folk artists have belately come to Karen Dalton, who palled around in Greenwich Village in the early Sixties with the likes of the young Bob Dylan (who was hugely impressed with her singing and guitar playing) and Fred Neil. It's said that she is the subject of Robbie Robertson-Richard Manuel song Katie's Been Gone on the Basement Tapes with Dylan. She was also admired by... > Read more

Eddie Hinton: I Want a Woman (1986)

9 Apr 2012 | 1 min read

Alabama-born Eddie Hinton (1944-95) is hardly a household name but was one of the great Southern soul songwriters and sessionmen. As a Muscle Shoals musician he played guitar on scores of sessions (for everyone from Aretha Franklin to Boz Scaggs, Elvis to Solomon Burke) and was a prolific, if under-recorded, songwriter. His most notable hit was Breakfast in Bed, a co-write with Donnie... > Read more

Tintern Abbey: Vacuum Cleaner (1967)

3 Apr 2012 | <1 min read | 1

Without a doubt one of the least promising song titles ever (were they announcing this sucked?) and the band's name similarly tapped into the obvious Anglo-fashionability of the period when the Beatles' Sgt Peppers album and shops like Granny Takes a Trip were London's cultural reference points. But, with lines like "fix me up with your sweet dose", the bent and careering... > Read more

Will Geer: Reading Woody Guthrie (1947)

2 Apr 2012 | 1 min read

Will Geer (born William Ghere) enjoyed quite a remarkable acting career but was perhaps best, and possibly only, known by many for his role as Grandpa in the popular television series The Waltons. When he died in '78 his passing was written into the series -- and only when the tributes flowed and the obituaries were written did many fans of that show realise the kindly old actor was gay,... > Read more

Unknown: A Teen Talks/Count Your Blessings (1965)

30 Mar 2012 | 1 min read

Even in these days of cheap downloads you'd still say $1.50 for 13 pieces of music and a spoken word track is kinda cheap. Possibly even good value . . . until you play the Teen to Teen Around the World album put out on the Word label from Illinois. According to the liner notes, the Youth for Christ organisation would send out groups of American teenagers ("each including half a dozen... > Read more

Noel Coward: Mad Dogs and Englishmen (1932)

28 Mar 2012 | <1 min read

Ahhh . . . because we can? Noel Coward (1899-1973) stamped his personality on an almost forgotten era and he was a polymath who whose work spanned theatre (as an actor and playwright) as well as being a witty songwriter whose lyrics were was often identifiable by their rapier wit. His songs however were usually so singular that few could convincingly cover them. And so it is to Coward... > Read more

Fatal Jelly Space: Moonlit Track (1990)

27 Mar 2012 | <1 min read | 4

Although they had a band name which wouldn't have disgraced a prog-rock outfit of the Seventies, Auckland's Fatal Jelly Space were rather far removed from lengthy noodling. They were an all-woman five-piece co-fronted by the wonderful Frankie who -- although tattooed and with a shaven head -- was far from a ferocious personality off-stage. But they delivered an abrasive confrontation... > Read more

Louise Attaque: L'imposture (1997)

26 Mar 2012 | 1 min read

Louise Attaque were, for about five years from 1996, one of the most popular bands in France. Their self-titled debut album of '97 was widely hailed and went on to sell almost three million copies, which was an extraordinary figure in the French rock scene at the time. With violin, a folk-rock drive and wry lyrics, they appealed to people who had perhaps grown up on the Clash and post-punk,... > Read more

The Last Poets: When the Revolution Comes (1970)

21 Mar 2012 | 1 min read

In the wake of the killing of Martin Luther King and the rise of Black Power politics, the ghettos were in flames. It was inevitable that music -- and in this case street poetry coupled with Afro-roots music -- should reflect, and even drive, the times. The Last Poets were mad as hell and not going to take it: and they were mad as hell about complacent blacks as much as the oppressive white... > Read more

Ringo Starr: Elizabeth Reigns (2002)

13 Mar 2012 | 1 min read

Right now Britain is gearing up for the 60th anniversary of the reign of Queen Elizabeth II which will be celebrated on June 2 with appearances by the great Sirs of her time . . . no. not Churchill et al but McCartney and Elton. Getting in with the mood early was Ringo -- who signs off here with "Well, there goes the knighthood" -- and this track from his 2002 album Ringo Rama,... > Read more

David Bowie: It's Hard to be a Saint in the City (1975)

12 Mar 2012 | 1 min read

Bruce Springsteen's song It's Hard to be a Saint in the City holds a very important place in his history. It was one of the songs he played at an audition for John Hammond at CBS which got him his recording contract, and before that it was the song that Mike Appel was so impressed by that he quit the day job to become Springsteen's manager. Springsteen has always had an affection for it... > Read more

Death Trash: Death Trash Rock and Roll (1988)

8 Mar 2012 | 1 min read | 3

For their 1988 album The 10000 RPM Groove Orgy, the band Death Trash didn't hide their ethic. Tracks include Liquor Whore, Sexbeast, Now I Wanna Make Some Noise, Mind Trashed and Loaded, True and Wild, and Death Trash Rock and Roll. We get the picture . . . .and if somehow you didn't then the album was "dedicated to the disciples of sleaze everywhere". Recorded in... > Read more

The Bassline Boys: Warbeat; Germany Calling (1989)

6 Mar 2012 | <1 min read

Odd what turns up in a record collection left in my care. While moving a few boxes of old vinyl I found a swag of stuff my oldest son had left behind when he lit out for Over Seas. He has strange and eclectic taste. A Joey Travolta album alongside obscure Elvis, David Hasselhoff recorded in Auckland, classical albums, Thriller, BBC sound effects records . . . And this album which is a... > Read more