The Who: My Generation

 |   |  1 min read

The Who: My Generation

In a classic cover -- bassist John Entwistle sporting the famous Pop Art-referencing "Union Jacket" -- the Who's debut album of '65 captured the youthful energy, anger, self-doubt and generational unity of the moment.

There had been a massive socio-cultural shift with the success of the Beatles and all who followed in their wake: London was the centre of popular culture for musicians, artists, designers and photographers; regional and working class accents replaced the Queen's English; young people drove the consumer society and grey Britain of the post-war period was replaced by something much more colourful and outward looking.

Into this stepped the Who, a band which as the High Numbers, knew its audience of young Mods: It spoke from them and for them.

Songwriter Pete Townshend captured it in the classic singles from this solid debut (the title track, The Kids Are Alright) but also dealt with adult matters (the theme of divorce on Legal Matter) and delivered almost throwaway pop which were much more than just album fillers (The Good's Gone, Much Too Much, It's Not True) which appeared alongside soul covers (James Brown's I Don't Mind and Please Please Please) as well as a crowd favourite (I'm a Man) . . . and of course Entwistle's announcement of his formidable style on The Ox.

JB_logoIt is a classic slice of vinyl (produced by Shel Talmy) so it is a treat to see it reisssued on record at just $25 in JB Hi-Fi stores (here).

And it comes with a download code.

That makes it as much a Bargain Buy as our chosen Hi-Fi Vinyl pick of the week.

Who_Are_You_album_coverBut wait, there's more.

For the same price is the Who's final album with their eccentric and hyperactive drumer Keith Moon.

Who Are You released in '78 was in part Townshend's response to punk and a bid for relevance in the new era.

But at the same time he was still pushing the parameters of the possible in the pop-rock he knew.

So an album of mixed results but also one of their best sellers. Perhaps sales given a push by the sudden death of Moon less than a month after its release.

Everyone was quick to note the writing on the chair he's sitting on for the cover shot.

Two Who on new vinyl (with download codes) at bargain prices. 

Buy direct on-line from here

For other recommended vinyl albums at a budget price see here

Share It

Your Comments

post a comment

More from this section   Hi-Fi Vinyl articles index

Bjork: Debut

Bjork: Debut

This album from '93 remains one of the most extraordinary debut albums of the past 30 years, where Bjork announced herself as a singular talent outside of the Sugarcubes which had fallen apart... > Read more

Motorhead: Ace of Spades

Motorhead: Ace of Spades

Most bands have at least one defining song and for Motorhead – if it isn't their idiot-classic Killed by Death – it is the title track of the '80 album. Their sound was by this... > Read more

Elsewhere at Elsewhere

TOM WAITS. BONE MACHINE, CONSIDERED (1992): Skeleton-rattling sounds and buried beauty

TOM WAITS. BONE MACHINE, CONSIDERED (1992): Skeleton-rattling sounds and buried beauty

In the early Nineties Jerry Garcia of the Grateful Dead observed that Bob Dylan still wrote the most beautiful tunes . . . didn't always sing 'em of course, but the melody was in there somewhere.... > Read more

THE ROLLING STONES; ALL THE SONGS, THE STORY BEHIND EVERY TRACK by PHILIPPE MARGOTIN and JOHN-MICHEL GUESDON

THE ROLLING STONES; ALL THE SONGS, THE STORY BEHIND EVERY TRACK by PHILIPPE MARGOTIN and JOHN-MICHEL GUESDON

Let's be honest, who knew that there was a story behind every Rolling Stone song? Of course we can discern important themes, especially in their early years: Play With Fire (class... > Read more