Grammaphone: Grammaphone (Thoughtless)

 |   |  1 min read

Grammaphone: Grammaphone (Thoughtless)

Got to say when I went to school it was a big deal just to be in a band and the thought of making a record was beyond our comprehension -- which made Nooky Stott, drummer with Larry's Rebels, something of a distant (if slightly overweight) god to us.

But times change (for the better) and these students from Auckland Grammar not only recorded, but produced a very impressive double disc in a gatefold sleeve.

It is an exceptionally confident debut and they pick one of the tougher genres too: these guys don't play alt.rock or emo as many their age but take up jazz head-on and classic material by the likes of Gershwin, Coltrane, Jobim, Herbie Hancock, Paul Desmond's Take Five (spun out to 14 minutes) and so on -- and some very interesting original arrangements.

This is courageous but with the confidence of youth it works -- and in Campbell Rehu they have a singer who is assured and seasoned beyond his years.

There is a Latin or swing drift to most of this, but when young people write a track called Mingus you know they are stepping up to be counted. The first disc is instrumental and vocal, the second all intrumental and in places (Cantaloupe Island, Green Dolphin Street) they really stretch themselves out and find their groove.
Certainly there are flaws -- the occasional rush to get the solo going when a more leisurely opening up might have been better -- but that is a minor criticism.

What is here is as fine an opening statement as you could imagine from people who still can't get into bars legally.

Here's my pick: if you are interested in New Zealand jazz you should expect to hear much more from vocalist Rehu, saxophonist Sam Weeks, pianist Robbie Muir, bassist Tom Marshall and drummer Nick Chan.

And I'd bet that people internationally will also be hearing from these guys: this much talent, innate invention and willingness to take on a challenge usually flies far, probably to Berklee.

Quite something.

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Mulatu Astatke: Mulatu Steps Ahead (Strut)

Mulatu Astatke: Mulatu Steps Ahead (Strut)

This transplanted jazz musician from Ethiopia (vibes/keyboards) has been one of the major (re)discoveries of the past few years. His ascent continues on this album which drifts to life on the airy,... > Read more

TOM LUDVIGSON OF BLUESPEAK, INTERVIEWED (1999): Blues in the night

TOM LUDVIGSON OF BLUESPEAK, INTERVIEWED (1999): Blues in the night

As an Auckland late-night jazz group, Bluespeak confront that most curious of problems - the criss-cross nature of various members' careers means they rarely perform live these days. Greg... > Read more

Elsewhere at Elsewhere

WE NEED TO TALK ABOUT . . . BYUNGKI HWANG: a Korean master musician at home

WE NEED TO TALK ABOUT . . . BYUNGKI HWANG: a Korean master musician at home

In Seoul, the vibrant capital of South Korea the old and new, the raw and polished, frequently rub together in odd juxtapositions. So a butcher’s shop with pig trotters on the wet floor is... > Read more

GUEST ARTIST HANNA ISAAC opens her personal sketchbook

GUEST ARTIST HANNA ISAAC opens her personal sketchbook

[Editor's note: When Elsewhere reviewed the album Fight from the Inside by Into the East (here), we noted the delicate cover art and that lead to this invitation to the artist Hanna Isaac... > Read more