Embryo: 40 (Trikont/Yellow Eye)

 |   |  1 min read

Embryo: 1000 Feet (1971)
Embryo: 40 (Trikont/Yellow Eye)

Might as well confess, until a fortnight ago I had never heard of Embryo at any point in their 40 year career -- but they are already well on their way to becoming my new favourite German jazz-rock ensemble.

From my reading of the impressive booklet which comes with this double disc they should have been across everyone's sightlines at some stage: they played straight after Hendrix at his final concert; were the first Kraut-rock band to play a major festival in Britain (Reading in '73); played with jazz musicians such as Mal Waldron; spent time with Fela in Nigeria and Ravi Shankar in India; have had over 400 musicians pass through their ranks (which makes the Chills seems stable); they toured in Morocco; brought Trilok Gurtu to the West; Nick McCarthy of Franz Ferdinand was in the band when he was studying in Germany; they have most recently played with NYC underground rockers No Neck Blues Band; seem to have been on the road or performing in most parts of the planet for the past four decades . . .

This loosely chronological collection brings together 28 rare tracks (rare? I guess so given how little I knew) and charts a journey from slightly pro-rock through the wonderful Morocco with Mal Waldron (Embryo mainstay Christian Burchard is a drummer who plays mean vibes also) then into India with altoist Charlie Mariano on the experimental Ticket to India with extraordinary guitar by Roman Buka, and later a sarod player Kenneth Wells from Canada who they discoverd busking in a tube station in Munich, as well as Indian ensembles in Bombay and Calcutta.

Then there is music influenced by their experiences in Morocco, flamenco (with Chris Karrer who was in a version of Amon Duul), Yoruban sounds picked up in Lagos . . .

This is an extraordinary travelogue in sound made all the more fascinating by the sheer diversity (and alarmingly high standard) of music on display. Some of this stretches right out (Ticket to India is a compelling 11-plus minutes) and other have an almost pop economy.

Quite a discovery. 

Share It

Your Comments

mark - Sep 20, 2010

that's the thing i love about this site Graham - being introduced to new music. Now i am going to have to go and track down music from this band. The digging never stops :-)

post a comment

More from this section   Jazz at Elsewhere articles index

Primitive Art Group: Primitive Art Group 1981-1986 (Amish Records/digital outlets)

Primitive Art Group: Primitive Art Group 1981-1986 (Amish Records/digital outlets)

From the late Seventies to the mid-Eighties, the Primitive Art Group in Wellington carried the banner for improvised music sometimes, often erroneously, referred to as free jazz. Because they... > Read more

Mose Allison: The Way of the World (Anti)

Mose Allison: The Way of the World (Anti)

Mose Allison is one of those slightly obscure figures whose name is often heard in interviews with the likes of Van Morrison and Elvis Costello -- and he was also the subject of a song by the... > Read more

Elsewhere at Elsewhere

MERMAIDENS, REVIEWED (2023): The arc of their covenant

MERMAIDENS, REVIEWED (2023): The arc of their covenant

Recently I interviewed Mermaidens' Gussie Larkin and Lily West for an extensive AudioCulture profile at the time of their fourth, self-titled album. At one point singer/guitarist Larkin said,... > Read more

Ennio Morricone: The Good, The Bad and The Ugly (1966)

Ennio Morricone: The Good, The Bad and The Ugly (1966)

The relationship between some movie directors and composers is so close that it is hard to imagine certain films without their soundtracks: Hitchcock had Bernard Herrmann's gripping scores for... > Read more