Jarrett, Garbarek, Danielsson, Christensen: Sleeper (ECM/Ode)

 |   |  1 min read

Jarrett, Garbarek: New Dance
Jarrett, Garbarek, Danielsson, Christensen: Sleeper (ECM/Ode)

By my exceptionally crude count, pianist Keith Jarrett's name (as leader of a group or solo) is on at least 65 albums -- and some, indeed many, of those are double albums, triple sets or large boxes.

I guess saxophonist Jan Garbarek wouldn't be too far behind (although he generally limits hmself to single discs) and bassist Palle Danielsson and drummer Jon Christensen are no slouches when it comes to recording.

This double disc recorded live in Tokyo in '79 -- which would have been at least triple vinyl had it been released at the time -- captures one of Jarrett's classic early line-ups, the group known as his European Quartet, in a superb performance where they explore folk melodies and odd percussive effects on the standout Oasis (Garbarek on wooden flute) which runs for a never dull 28 minutes and takes the listener through a world music journey of fascinating subtlety.

This was almost the last hurrah for this supergroup (they disbanded later the same year) but came at a time when each player's reputation was assured, Jarrett and Garbarek had loyal followers, and the call of daring improvisation was rarely higher.

There are bluesy elements in places (Jarrett on Chant of the Soil beneath Garbarek's sax which comes on like an annoying but tuneful mosquito) but also Latin flourishes (Personal Mountains) and even a little joyous, Rollins-influenced calypso on the encore New Dance.

And given the often frosty tone which Garbarek can bring to his playing, here he boils with warm enthusiasm and emotional empathy (on the ballad Innocence) in the company of equals. 

Yes, there must be Jarrett and Garbarek fatigue out there, but this recording captured them both at a career high and is a rare entry in the catalogue of Jarrett's European Quartet which, on the evidence here, went woefully under-represented on record/disc.

If you feel you have filled your quota of recent Jarrett and his interpretations of standards, this is the album to come back for.

It was a very good year for these players and here, finally, is further evidence.

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Tomasz Stańko Quartet: September Night (ECM/digital outlets)

Tomasz Stańko Quartet: September Night (ECM/digital outlets)

The late Polish trumpeter Tomasz Stańko (d. 2018, age 76) had long been a fixture at Elsewhere for his elegant albums on the ECM label (with a regular quartet, which has an estimable... > Read more

EGBERTO GISMONTI: Guitarist with a much-stamped passport

EGBERTO GISMONTI: Guitarist with a much-stamped passport

They say truth is where you find it. For Brazilian multi-instrumentalist and composer Egberto Gismonti it was there among the Indian peoples of the remote Xingu region of the Amazonian jungle back... > Read more

Elsewhere at Elsewhere

WE NEED TO TALK ABOUT . . . “THE VELVET UNDERGROUND – ETC”: Candy says, yeah but nah . . .

WE NEED TO TALK ABOUT . . . “THE VELVET UNDERGROUND – ETC”: Candy says, yeah but nah . . .

There are plenty of albums of very dodgy provenance (live and studio bootlegs, outtakes never intended to see the light and so on) but few misrepresent themselves quite as much as this one which,... > Read more

1964: EYES OF THE STORM by PAUL McCARTNEY

1964: EYES OF THE STORM by PAUL McCARTNEY

When the Beatles flew to balmy Miami from wintry Washington DC in February 1964 they were taking a week-long and well-deserved break. If 1963 had been a year of incremental fame in Britain,... > Read more