ONE WE MISSED: Onyx Collective: Lower East Suite; Part Three (Big Dad)

 |   |  1 min read

2AM at Veselka
ONE WE MISSED: Onyx Collective: Lower East Suite; Part Three (Big Dad)

This muscular trio (with guests) first came to Elsewhere's attention only late last year on the belated jazz tribute to Sgt Pepper where they delivered a usefully different treatment of Harrison's Within You Without You which connected to the more experimental end of American jazz.

As the title here tells you, we come to this suite – which appeared in the middle of last year – as the final part of a trilogy . . . but in these matters Spotify is your friend because you can listen to the first two parts there, and they act as a bridge between black poets, hard bop, Latin sounds, quietly considered work (check Fruit Stand on Part One), hints of exotica (Snake Charmer on Part Two) and free jazz.

They are certainly connected – a guest on four pieces here is altoist Roy Nathanson who co-founded Jazz Passengers in the late Eighties and has impeccable credentials, and the cover art is by Julian Schnabel – and the Collective's trio here of tenor player Isaiah Barr, drummer Austin Williamson and acoustic bassist Walter Stinson certainly conjure up inner-city NYC in its various moods: romantically noir on the opener Onyx Court; the brief Don't Get Caught Under Manhattan Bridge is an uneasy soundtrack to that warning; Battle of the Bowery starts with a walking bass and saxophone car horns before the tempo picks up and you could conjure up the Jets and the Sharks facing off (it's dance not a fight, the latter comes in the more edgy angularity Rumble in Chatham Square). And FDR Drive captures some of that traffic urgency in an exciting closing piece.

Recorded live at Magic Gallery on Canal Street in Chinatown, the Onyx Collective are the kind of tight outfit which offer a more finely focused jazz (10 pieces in 35 minutes) than the swirling extemporising of Kamasi Washington but have not dissimilar – if slightly more left-field – reference points.

Well worth seeking out, even if we are a little late to this party.

Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

MILES DAVIS. ON THE CORNER, REVISITED (2022): Jazz-funk at 50

MILES DAVIS. ON THE CORNER, REVISITED (2022): Jazz-funk at 50

The cliche has become so embedded that hardly anyone questions it: “indie label good, major label bad”. As with most generalisations it doesn’t stand much scrutiny: small... > Read more

JONATHAN ZWARTZ: Bass player in debut album shock . . . 20 years on

JONATHAN ZWARTZ: Bass player in debut album shock . . . 20 years on

Even longtime jazz listeners would be forgiven for not recognising the name of New Zealand-born double bassist Jonathan Zwartz. He left this country for Australia in the early Eighties, studied in... > Read more

Elsewhere at Elsewhere

AFRICA EXPRESS PRESENTS TERRY RILEY'S IN C: Modern to ancient and back

AFRICA EXPRESS PRESENTS TERRY RILEY'S IN C: Modern to ancient and back

Many years ago someone told me a Chinese ensemble did a treatmernt of Terry Riley's cornerstone minimalist piece In C, "But the buggers didn't play it in C," he laughed. I have... > Read more

HILLARY AND BILL CLINTON'S AUTOBIOGRAPHIES CONSIDERED (2003, 2004): Sax, lies and soundbites

HILLARY AND BILL CLINTON'S AUTOBIOGRAPHIES CONSIDERED (2003, 2004): Sax, lies and soundbites

Last week, late-night US television host Jay Leno quipped about a matter diverting American attention - the long-awaited US$8 million ($13.85 million) memoirs of Hillary Rodham Clinton.... > Read more