John Rae: Lighthouse (Thick Records)

 |   |  1 min read

Soran Bushi
John Rae: Lighthouse (Thick Records)
Recorded in Rotorua and inspired by the traditional music of Japan, this album lead by the highly qualified drummer John Rae manages to exist somewhere between world music-cum-jazz, meditative classical music and exotic minimalism.

As much as the compositions, the success of these often simple tunes which are stretched and embellished is also down to the small ensemble of pianist Ben Wilcock (Bella Kalolo), vibes player Michael Barker (John Butler Trio, Split Enz, Swamp Thing), saxophonist Dan Yeabsley (Fat Freddie’s Drop, Twinset) and bassist Patrick Bleakley (Jonathan Crayford).

All bring life to material like the sprightly Seato or the more dark timbres of Soran Bushi which stalks menacingly over bass and piano before given lift by Yeabsley.

The lengthy exploration of Omoide (Song of Remembrance) is a lovely piece which might have benefited for a slightly lighter touch but Suki which follows gallops out the gate like an efficient train over a repeated piano part while Barker's vibes add a lighter touch.

The final piece Aishiteru might be inspired by traditional Japanese song although it opens more like a klezmer piece which has jumped the tracks and into this context.

An interesting project and these pieces are at their best when quieter and more reflective.

You can hear this album at Spotify here.

For more on this and other albums on the label see here.



Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

Ezra Collective: You Can't Steal My Joy (Enter the Jungle/Southbound)

Ezra Collective: You Can't Steal My Joy (Enter the Jungle/Southbound)

Spoken of in the same breath as Sons of Kemet, Maisha and The Comet is Coming, the five-piece British outfit Ezra Collective are part of the new wave of jazz coming out of London where artists... > Read more

Anouar Brahem: Le Voyage de Sahar (ECM/Ode)

Anouar Brahem: Le Voyage de Sahar (ECM/Ode)

Tunisian Brahem who plays oud --- like a slack-string lute -- steers another fine album under his own name on ECM, a label with a reputation for meticulously produced if sometime emotionally... > Read more

Elsewhere at Elsewhere

ELLEN FOLEY; SPIRIT OF ST LOUIS, CONSIDERED (1981): Here, there and all over the place

ELLEN FOLEY; SPIRIT OF ST LOUIS, CONSIDERED (1981): Here, there and all over the place

In the slipstream of their success with London Calling, while battling with CBS, changing managers and wresting scattershot material for what would become their triple album Sandinista!, the Clash... > Read more

GUEST ARTIST JOSEPHINE CACHEMAILLE on her new exhibition and current practice

GUEST ARTIST JOSEPHINE CACHEMAILLE on her new exhibition and current practice

I am interested in making objects, paintings and installations that provoke questions about our magical thinking tendencies. Magical thinking refers to causal reasoning that looks for... > Read more