GRG67: Happy Place (Rattle)

 |   |  1 min read

MayWayDay
GRG67: Happy Place (Rattle)

This Auckland jazz group with what looks like a personalised plate for a name, impressed mightily with its debut album The Thing two years ago. And at that time we noted the credentials of the players, notably saxophonist Roger Manins who here again writes most of the pieces.

The same quartet appears here – Manins, guitarist Michael Howell, drummer Tristan Deck and bassist Mostyn Cole – for another fine and edgy collection of material recorded and mixed by former Auckland Uni jazz student (and member of the Beths) Jonathan Pearce.

This album however isn't simply more of the same but in many places a considerable leap into more challenging and extended interplay, notably on the first three tracks.

And especially on the spring-heeled, Cole-composed Birdhouse which steadily extends the contract of Ornette Coleman's harmolodic ideas forwards into exciting free interplay (especially between Manins and Howell) and backwards into ensemble work.

A standout is 911 at the midpoint, a spare then expansive Manins ballad where the subtle undercurrents from Deck increase in dramatic urgency (as befits the title) and by the centre of its evolving eight minutes it is resolving into an expressive tumult. As the saxophone siren pulls back there is a sense of gentle resolution.

MayWayDay is quite different from its surroundings: an almost fundamental North African kind of funk beamed in from the early Seventies and held down by Cole and Deck with sci-fi guitar.

There is considerable whimsy in Manins too: on the last album there was Chook 40 and Crab Empathy, this time we have Chook Empathy (which gets a difficult conversation going between sax and guitar) and the equally busy I Got Chicken.

The final piece here is a considered, almost film-noir interpretation of Hine e Hine which, like its predecessor did with Psalm, closes the album on a reflective note.

Last time we noted that the album The Thing was submitted as part of Manins' doctorate.

We're pleased to report he is now Dr Roger and well, well, well, he's feeling fine . . .

.

To hear and buy this album go to the Rattle website here.

.

5c7d0e82_a862_447b_93e8_b986a373d46f


Share It

Your Comments

post a comment

More from this section   Jazz at Elsewhere articles index

The Gary Burton Quintet: Dreams So Real (ECM/Ode)

The Gary Burton Quintet: Dreams So Real (ECM/Ode)

Another in the on-going series of mid-price reissue of ECM albums from the vaults, this recording of material by Carla Bley comes from 1976, and vibes player Burton with a band of luminaries who... > Read more

CHRISTIAN SCOTT INTERVIEWED (2010): The navigator in difficult waters

CHRISTIAN SCOTT INTERVIEWED (2010): The navigator in difficult waters

Trumpeter Christian Scott out of New Orleans is a hot property in jazz these days. He has received considerable critical acclaim for his unique tone (he plays a specially made trumpet) and the... > Read more

Elsewhere at Elsewhere

Tokaanu, New Zealand 2007: Small towns on a slow up-spin

Tokaanu, New Zealand 2007: Small towns on a slow up-spin

About 10 or so years ago I spent a few days in Turangi on the southern shore of Lake Taupo in New Zealand's North Island. I was on an assignment for the Herald. I wish I could say the story... > Read more

WE NEED TO TALK ABOUT  . . . SANDY BULL: He had the whole world in his hands

WE NEED TO TALK ABOUT . . . SANDY BULL: He had the whole world in his hands

Just a thought, but if Sandy Bull had been British, magazines like Uncut and Mojo would be running major, rediscovery features about him and placing him in the pantheon of innovative guitarists... > Read more