Graham Reid | | <1 min read
But . . .
Although some of those dates have been postponed, this is a hypnotic album of intimate, often piano-based, pop-electronica material wrapped around her strong but ethereal vocals which are loaded with anxieties (“the churches look like cemeteries on the doom-menace of Switchblade), ghostly thoughts and nervous breathing as a percussive effect.
There's an over-riding sense of beautiful, crafted tension here which is very much in line with the blurred edge between innovative alt.pop and contemporary art music . . . and somewhat tellingly the opener is Hopeful Symphony.
Poetry in a musical context and vice-versa.
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You can hear and buy this album at bandcamp here
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