Tiny Ruins: Ceremony (digital outlets/vinyl)

 |   |  1 min read

Tiny Ruins: Ceremony (digital outlets/vinyl)

On her 2011 debut album Some Were Meant For Sea, Hollie Fullbrook – as Tiny Ruins – opened with an intimately whispered conflation of Chaucer and Shakespeare: “Lean in friend and I'll tell you a tale . . . as I tread the stage awhile”.

Fullbrook had much to tell: in Bristol she'd learned cello and assimilated British folk and James Taylor; the family moved to Auckland and after college she spent time in upstate New York; traveled the country by Greyhound and read Beat poets on the road; returned to study English Literature, theatre and law in Wellington; began writing songs; recorded in Australia; went to Spain . . .

By the time of that folk debut Fullbrook had lived experiences and refined emotions to draw on.

Fullbrook would adopt the Tiny Ruins name for her band (bassist Cass Basil, drummer Alex Freer, guitarist/producer Tom Healy), they picked up the Best Alternative Album award for 2014's Brightly Painted One and filmmaker David Lynch produced their spectral 2016 single Dream Wave in Los Angeles.

They received Taite Music Prize and Silver Scroll nominations for 2019's Olympic Girls and Fullbrook was praised by Britain's Uncut for her “novelist's eye for detail”.

With their fourth album Ceremony those accumulated details, Fullbrook's light melodic touch, close attention to the natural world (wind, ravines, seabirds, cicadas), deft arrangements (the subtle country flavours on Daylight Savings) and the influence of Nick Drake (Earthly Things) coalesce in refined folk-rock songs born from the uncertainties and vulnerabilities of recent times and personal loss.

Ideas and emotions distill into memorable images and metaphors: “Panic set in like the kitten in the car”; “the tide is a radar, breathing on, like it or not” and “now let's go give this day a chance” after turning over a crab found upside down.

Small things observed, big conclusions drawn, celebrations of life (the oblique spiritualism of In Light of Everything) alongside the personal (Seafoam Green).

Lean in. Again.

.

You can hear and buy this album at bandcamp here

.

83268_316259.jpg


Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Procol Harum: The Best of, Then and Now (Salvo)

Procol Harum: The Best of, Then and Now (Salvo)

It is hard to believe -- and somewhat sad -- that the authorship of Whiter Shade of Pale, this group's defining moment (and which also captured the dreamy, surreal English Summer of Love in '67),... > Read more

Dudley Benson: Deforestation (Golden Retriever)

Dudley Benson: Deforestation (Golden Retriever)

Dudley Benson – who recently received a $25,000 New Generation Artist award from Westpac – has a small, and some might say, perfectly formed catalogue. But it is small. By my... > Read more

Elsewhere at Elsewhere

Geraldo Pino: Heavy Heavy Heavy (RetroAfrica/Southbound)

Geraldo Pino: Heavy Heavy Heavy (RetroAfrica/Southbound)

Some weeks ago I posted a track by the late and very great Fela Anikulapo Kuti from Nigeria who put James Brown funk, Black Power politics and African rhythms into the blender and created Afrobeat.... > Read more

Anywhere Elsewhere: The romance of the road

Anywhere Elsewhere: The romance of the road

Among my hundreds of photographs in boxes or in my laptop are rather too many of variations on the same theme: a road ahead as seen through the windscreen. In some it is an unforgivingly... > Read more