Liam Gallagher: Knebworth 22 (digital outlets)

 |   |  1 min read

Liam Gallagher: Knebworth 22 (digital outlets)

Like him or not, Liam Gallagher possessed one of the most distinctive voices (Lydon Lennon, if you will) and fronted one of the biggest British bands in recent rock.

Oasis' career skidded to a halt over their final few albums and Liam's first solo work (as Beady Eye) got off to a faltering start.

But as the one who kept the sound of his former band alive, things started to come right with his 2017 album As You Were and '19's Why Me? Why Not.

Things took a dip again with last year's half-hearted C'Mon You Know . . . which hardly troubled the thousands who turned out to his Knebworth show last June where he and his rowdy but disciplined band cherry-picked some of his better material – including the ELO-styled Lennonesque ballad Roll It Over and the self-reflective More Power (pretty horrible vocal however) to slow the pace.

He may sometimes play the clown – with a sharper wit and understanding of his audience than many might credit – but he's also smart enough to have delivered a different set than appeared on his fairly recent – and also live – Down By The River Thames.

With Oasis' Rock'n'Roll Star up early (dedicated to Oasis' Bonehead), a smattering of his stadium shaking solo material and then a swag of his former band's hits at the end (Cigarettes and Alcohol, Some Might Say, Supersonic, Wonderwall and Champagne Supernova), Liam Gallagher knew how to construct a set which was crowd-pleasing and sometimes exciting . . . if not much else.

As he says on More Power, “is this what you came for?”

The crowd response would suggest a very loud, “yes”.

Rowdy British football-terraces rock'n'roll from a former star whose light hasn't diminished in the ears of his loyal following.

.

You can hear this album at Spotify here


Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

The Doobie Brothers: World Gone Crazy (Shock)

The Doobie Brothers: World Gone Crazy (Shock)

The Doobies' great Listen to the Music, Long Train Running and China Grove in the late 60s/early 70s were driven by urgent guitars and hammering keyboards delivering a forward momentum (which... > Read more

Pumice: Worldwide Welts (Dubbed Tapes/bandcamp)

Pumice: Worldwide Welts (Dubbed Tapes/bandcamp)

This will be brief and quick for a few reasons; some aspects of Pumice's sonic landscapes of synths, guitar, organ, violin etc will perhaps only appeal to those with an affection for Fripp/Eno,... > Read more

Elsewhere at Elsewhere

STEVE REICH'S CAREER CONSIDERED: From taxi driver to concert master

STEVE REICH'S CAREER CONSIDERED: From taxi driver to concert master

It’s a rare composer who can simultaneously alienate and enthral distinct sections of an audience:  Igor Stravinsky unintentionally managed it in 1913 when he premiered The Rite of... > Read more

Nidi D'Arac: Taranta Container (Galileo/Southbound)

Nidi D'Arac: Taranta Container (Galileo/Southbound)

The bio of this Italian group who appeared at Womad says they come from "the beautiful city of Lecce" in the far south. Well, as one who has been to Lecce I might debate some of its... > Read more