Leila Adu: Moonstone and Tar Sands (digital outlets)

 |   |  1 min read

Gold Yod ft PUBLIQuartet
Leila Adu: Moonstone and Tar Sands (digital outlets)

Brought to our attention by New York-based expat musician and designer Andrew B White, this artist is very much Elsewhere.

From what we can find she is a British-born expat New Zealander, a Grammy-nominated composer and an assistant music professor at New York University. She got her BMus at Victoria, Wellington and doctorate at Princeton.

She has written for the London Sinfonietta, Wellington's Gamelan Padhang Moncar and Orchestra Wellington, Bang on a Can, string quartets and others.

It looks like this is the fifth album under her own name.

Working here her trio and the PUBLIQuartet on strings, the pianist/singer skirts between genres (piano jazz, sung poetry, the melodrama of Broadway-like tunes) and – although they are quite dissimilar – the connection which comes to mind is Nina Simone for the expansive and exploratory vision.

On Negative Space she sings, “I’m no militant, I’m a peaceful kinda girl. I don’t aim to stake out my claim I just wanna do my thing about the place, but I exist in a negative space”.

In the sensitive and lightly swinging Book she addresses the conundrums in a relationship (“I don't wanna lose what we have 'cause it's nothing right now”)

But then on the more menacing and dramatic Snakepit: “I fell into a snakepit, filled with forked tongues and dead eyes. I get a sense of déjà vu. Everywhere minds are colonized. Imagination is good when reality kicks you in the teeth”.

For their intimacy and dense lyrics, these are songs you can imagine in a cabaret or hip nightclub setting, maybe even in a recital more than a larger concert setting.

Something as quiet, serious and cathartic as the stately, string-enhanced Tar Sands requires close attention: “I’m going on holiday, gonna sunbathe my troubles away so my pen, can cut a page again and move on.

“I bathe in music today to wash the pain away. Eyes are peeled like an onion skin, no surprises. Button up your mouth for what I’m about to say, stupidity is a silly word but pride and vanity go a long way.

“I’ve seen the coward in the mouth of the wolf. And the fear and the blame. Kindness starts only with the self. Care for the mind every day . . .”

Not an easy album if you are only paying casual attention -- it is more along the lines of art music -- but an interesting voice to discover, albeit belatedly.

.

You can hear and buy this album at bandcamp here



Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Grayson Gilmour: Holding Patterns (Flying Nun/digital outlets)

Grayson Gilmour: Holding Patterns (Flying Nun/digital outlets)

For much of its lifespan the of Flying Nun could best be described as spluttering. In the first decade it outgrew itself within a couple of years – too many artists, too much music and... > Read more

Jeb Loy Nichols: Parish Bar (Compass)

Jeb Loy Nichols: Parish Bar (Compass)

Some background to this guy who kicks off this winning album with a terrific song which sounds likes a distillation of JJ Cale, classic soulful disco and slippery Boz Scaggs basslines. Nichols... > Read more

Elsewhere at Elsewhere

Norman "Hurricane" Smith: Oh Babe, What Would You Say (1972)

Norman "Hurricane" Smith: Oh Babe, What Would You Say (1972)

Norman Smith was an unlikely chart-topper when he knocked Elton John off the top of the US charts with this, his second single: he was 49 at the time and prior to that his career had been firmly on... > Read more

ELMORE JAMES: Sliding with the king

ELMORE JAMES: Sliding with the king

It has been almost half a century since Elmore James bent over to pull up his socks before going out to play in an Chicago nightclub . . . and went face down on to the floor with his third and... > Read more