Ry Cooder: My Name is Buddy (Warners)

 |   |  1 min read

Ry Cooder: Sundown Town
Ry Cooder: My Name is Buddy (Warners)

Albums under Ry Cooder's name once only sold in the hundreds. But these days -- through high profile soundtracks such as Paris, Texas, The Long Riders and Trespass, internationally acclaimed work with the Buena Vista Social Club, and superb albums with the likes of fellow guitarist Manuel Galban (Mambo Sinuendo) and the late Ali Farka Toure from Mali (Talking Timbuktu) -- Cooder has become something close to a household name.

His last album, Chavez Ravine, was a concept album rooted in Mexican American music, and this new album is even more ambitious -- although in some places it reaches back to the folk, blues and r'n'b styles of some of his early solo albums such as Into the Purple Valley and Chicken Skin Music for its musical sources. But it also continues the idea of a large scale concept in the manner of Chavez Ravine.

My Name is Buddy takes the form of an allegory about an older, Depression-era America in which three anthropomorphic fellow travellers -- a cat called Buddy, a left-wing mouse, and Reverend Tom Toad -- make a journey of political and self-discovery in the backroads of America at the time of the union movement, the Dust Bowl, Hank Williams and the Klan.

Smart folks will spot the Steinbeck references, and the accompanying booklet has a parallel story of pointed anecdotes by Cooder about this imaginative, fable-like journey (in addition to the lyrics), and complimentary artwork by Vincent Valdez. (Animated movie anyone?)

With Chieftain Paddy Maloney, Van Dyke Parks, Pete Seeger, accordion player Flaco Jiminez, and Jim Keltner, My Name Is Buddy becomes a series of parables about the lost promise of America. And through music which touches folk, country, gospel and even lounge jazz, the narrative becomes a discussion of the spirit of the working class, and a condemnation of those who profit by its labour.

It might seemed rooted in the past, but it has powerful contemporary resonances. Cooder is smart enough to makes the album amusing also (the pig called J Edgar, the celebratory songs) but the lyrics, while memorable and often simple, are loaded.

A big one, in every sense of the word.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

RECOMMENDED RECORD: Gramsci: The Hinterlands (MAC/digital outlets)

RECOMMENDED RECORD: Gramsci: The Hinterlands (MAC/digital outlets)

From time to time Elsewhere will single out a recent release we recommend on vinyl, like this one which comes with the lyrics on the inner sleeve.Check out Elsewhere's other Recommended Record... > Read more

Procol Harum: The Best of, Then and Now (Salvo)

Procol Harum: The Best of, Then and Now (Salvo)

It is hard to believe -- and somewhat sad -- that the authorship of Whiter Shade of Pale, this group's defining moment (and which also captured the dreamy, surreal English Summer of Love in '67),... > Read more

Elsewhere at Elsewhere

Bob Dylan: TV Talkin' Song (1990)

Bob Dylan: TV Talkin' Song (1990)

You can -- and people do -- fill page after page banging on about the genius of Bob Dylan. But the man has also been responsible for some real stinkers, especially in the Eighties. Perhaps his... > Read more

NICK LOWE INTERVIEWED (2009): As times go by

NICK LOWE INTERVIEWED (2009): As times go by

It is one of the ironies of Nick Lowe’s life that -- despite producing the first three Elvis Costello albums, the success of his solo debut Jesus of Cool in ‘78 (retitled Pure Pop for... > Read more