Durutti Column: Idiot Savants (Artful)

 |   |  1 min read

Durutti Column: That Blows My Name Away; For Rachel
Durutti Column: Idiot Savants (Artful)

To be honest, I thought they wuz dead!

It has probably not been since the early 90s that I last heard of, let alone heard, Durutti Column. I just assumed that mainman/guitarist Vini Reilly had packed his exotic tent and headed off into even greater obscurity.

So I was initally baffled -- then delighted - when this new album arrived in the post (with no proper cover and no information so I have no idea who is singing).

Of all the bands to emerge out of the Manchester/Factory scene in the late 80s/early 90s, Durutti Column were the most politically interesting: their name was based on that of a group of anarchists in the Spanish Civil War; and their first album came in a sandpaper cover (to damage other albums in record shops). Apparently, I never saw it but recall reading about it in NME.

However their music seemed oddly, but pleasantly, at variance with all this: Reilly played magical and mercurial guitar which was often delicate and referred to jazz or Anglo-folk; and over time their musical ambition grew and the line-up included trumpets, strings and guest vocalists. It was highly seductive stuff.

It seems they have spent the past decade on very small labels which were probably proud to have them although the labels' accountants must have been increasingly distressed.

But their ambition remains expansive and on this delightful and sometimes musically provocative album Reilly touches some sensitive places: Interleukin 2 has an ethereal choral part; Please Let Me Sleep opens with a flamenco flourish then settles in to some acoustic Anglo-folk and what sound like a working drawing for Pink Floyd; and in other places Reilly's guitar refers to both the avant-garde and a great tradition (jazz, folk, pop) simulateneously.

Fascinating.

On their website Reilly offers this mission statement: "The basic idea behind Durutti Column's music is to break with whatever structure supports the foundations of musical formalism, in order to try and create a kind of music which really can belong to everyone ."

Mission accomplished.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Ian McLagan: United States (Yep Roc/Southbound)

Ian McLagan: United States (Yep Roc/Southbound)

Many years ago it was my great pleasure to spend a bit of time with keyboard player Ian McLagan when he was in Auckland playing with an artist whom I have forgotten. McLagan -- who was, in the... > Read more

Paul Weller: Sonik Kicks (Island)

Paul Weller: Sonik Kicks (Island)

Aside from the excellent set list, when Paul Weller played the Powerstation in late 2010 what was so impressive and exciting was his impassioned delivery. You were left with the clear impression he... > Read more

Elsewhere at Elsewhere

The Flys: Love and a Molotov Cocktail (1978)

The Flys: Love and a Molotov Cocktail (1978)

1977 was a confusing year in Britain: pub-rockers Dr Feelgood were at an all-time peak, the Sex Pistols, the Clash and others advanced the punk agenda, and off on the margins were power-pop bands... > Read more

Howard Devoto of Magazine: The floorboards creak . . .

Howard Devoto of Magazine: The floorboards creak . . .

Back at the dawn of time -- for two periods in 1980 and 1981 to be precise -- I had a programme on Radio Pacific on Saturday evening, sandwiched between the Rugger Buggers sports show and, of all... > Read more