The Nextmen: This Was Supposed To Be The Future (Antidote/Elite)

 |   |  <1 min read

The Nextmen: Tuffen Up
The Nextmen: This Was Supposed To Be The Future (Antidote/Elite)

This is a real meltown and mash-up of styles, yet somehow it works as a guest list which includes soul diva Alice Russell, various Jamaican DJs and toasters join the producers/songwriting/remix duo of Dom Search and Brad Baloo (who are the Nextmen) for a sonic colour chart which lopes from chantdown dancefloor to sultry soul and beyond.

On paper it shouldn't work but what is here sounds like listening to an especially interesting urban radio station helmed by a DJ with ADHD.

So there is scratching and samples, memorable songs and urgent rap, and nothing too in-your-face that would make you recoil. I'm playing it a whole lot more than I should.

I suspect it's pretty unfashionable.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Surf Friends: Sonic Waves (Flying Nun/bandcamp)

Surf Friends: Sonic Waves (Flying Nun/bandcamp)

When we reviewed Surf Friends' 2010 debut album Confusion – by Auckland's Brad Coley/Mark Westmoreland duo – we noted their unashamed influences from the Clean and the Chills... > Read more

Lee Hazlewood: The LHI Years; Singles, Nudes and Backsides 1968-71 (Light in the Attic/Southbound)

Lee Hazlewood: The LHI Years; Singles, Nudes and Backsides 1968-71 (Light in the Attic/Southbound)

Although Lee Hazlewood (who died in 2007 age 78) enjoys a considerable cult reputation, it rests on two slender, if notable, styles; like Johnny Cash back from the 40 days in the wilderness with a... > Read more

Elsewhere at Elsewhere

DAMIEN HIRST: THE DOLLARS AND SENSE

DAMIEN HIRST: THE DOLLARS AND SENSE

Say what you like about British artist Damien Hirst, and everyone from international art critics to London cabbies do, he certainly pulls a crowd. At the Tate Modern in London, the queue of... > Read more

Suzanne Vega: Solitude Standing

Suzanne Vega: Solitude Standing

In recent years Suzanne Vega -- who came to attention wth the beguiling Marlene on the Wall song on her self-titled debut album in '85 -- had taken to going back into her catalogue and re-recording... > Read more