BEST OF ELSEWHERE 2008 Mavis Staples: Live. Hope at the Hideout (Anti)

 |   |  1 min read

Mavis Staples: This Little Light
BEST OF ELSEWHERE 2008 Mavis Staples: Live. Hope at the Hideout (Anti)

The last album by the great Mavis Staples, We'll Never Turn Back was picked as one of the best albums of 2007 at Elsewhere, and that was no sympathy vote for one of life's survivors who had grown up with the civil rights movement and has now lived long enough to see Obama heading for the White House.

So when she sings "keep your eyes on the prize, hold on", Freedom Highway and We Shall Not Be Moved you know that she is bringing a world of experience to the lyrics which actually mean something personal to her.

This live set is exactly how you might want to experience Staples, at a small club in her hometown Chicago with a blues-rock band and in the days before Obama got his mandate. So while she never directly refers to what was happening in the streets her injunction to "keep your eyes on the prize" has extra resonance.

She draws from We'll Never Turn Back for material (a terrific and deeply meaningful For What It's Worth opens the set) and she speak-sings a moving section in Down in Mississippi (water fountains which have signs "for coloreds only") over a swampy backdrop. But she also pulls out a wonderful soul-funk version of the traditional Wade in the Water and does the same for that dreadful old folky warhorse This Little Light of Mine. With her exceptional band and earthy vocals familiar material is re-invented.

You'll never be able to hear Why Am I Treated So Bad or Will the Circle Be Unbroken in quite the same way again. 

Mavis Staples is a rare individual: she performed at Kennedy's inauguration and has been a consistent and powerful voice for dignity and change in America.

How she must feel now. 

Share It

Your Comments

Angela - Dec 15, 2008

Definitely the best - this album communicates to your heart, your soul - all the bodyparts that tremble in awe at such a great artist.

post a comment

More from this section   Music at Elsewhere articles index

Howe Gelb and Lonna Kelly: Further Standards (Fire)

Howe Gelb and Lonna Kelly: Further Standards (Fire)

The always interesting Howe Gelb does exactly what he wants and in recent years that has seen the man behind desert psych-rockers Giant Sand work with Spanish musicians, write albums of piano... > Read more

Various: Motown Love (Motown/Universal)

Various: Motown Love (Motown/Universal)

This triple-disc set suffers from the same problem as the previously released and quite dreadful Motown 50 collection: an unacceptable and unnatural inclusion of Michael Jackson/Jackson 5 and Diana... > Read more

Elsewhere at Elsewhere

THE WIDE BRIDGE NEVER THE TIGHTROPE (2023): The plague of risk-averse pop

THE WIDE BRIDGE NEVER THE TIGHTROPE (2023): The plague of risk-averse pop

A week or so ago over lunch, a couple of us were talking about the state of local music. “There's just a lack of risk,” he said with obvious exasperation. And that's something... > Read more

SHALL WE DANCE?: You know how times fade away

SHALL WE DANCE?: You know how times fade away

It wasn't until I met Miss Havisham on the pages of Great Expectations that I understood what a spinster was. Which is strange because growing up there were two unmarried, elderly women –... > Read more