Son Volt: American Central Dust (Rounder)

 |   |  1 min read

Son Volt: When the Wheels Don't Move
Son Volt: American Central Dust (Rounder)

For a while in the late Eighties/early Nineties alt.country was an exciting but difficult music to follow: no sooner had you tuned in to Uncle Tupelo than they split (Jay Farrar to found Son Volt, Jeff Tweedy and the rest to form Wilco); then Jay Bennett was out of Wilco and into a solo career (his death a few months ago was a bitter coda to that sad but ultimately redemptive story); and the influential Jayhawks also suffered similar schisms.

This was all good news in some strange way: it mean more and different music from a similar post-Band/alt.country scene which owed a debut to traditional artists such as Hank Williams but aso referenced the Byrds/Flying Burrito Bothers axis as well as post-punk and Gram Parsons.

But it was Uncle Tupelo which was there right at the start and their small selling 1990 album No Depression gave rise to the alt.country movement of the same name.

Since his departure from that band Farrar has run a solo career alongside various incarnations of Son Volt, but this album finds him back in the band context again for a superb collection of melodic, sometimes melancholy (but just as often twanging) Neil Young-styled country-rock, literate songs which can take you down with weeping lap steel (Pushed Too Far, Exiles) as much as lift you up with alt.rock (the gritty When the Wheels Don't Move which conjures up the spirit of James McMurtry).

But there is a sense of loss which infuses the lyrics on many of these songs, and I suspect that is what people want to hear in the Americana genre: that idea of great days gone, but also a chin-up'n'face the future over a half-empty glass kind of feeling.

Farrar has the voice (and the lyrics) to deliver that sentiment, but he's also able to kick out the jams on the strum'n'twang of Jukebox of Steel which closes this 12 song collection, which has to be counted among Son Volt's best.

What with this and the Jayhawks' collection, these are good days indeed for alt.country/American folks. 

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Irving: Death in the Garden, Blood on the Flowers (Rhythmethod)

Irving: Death in the Garden, Blood on the Flowers (Rhythmethod)

Because my record collection has such wayward but much loved albums by bands as diverse as the Unforgiven (spaghetti western rock), the Shoes (power pop), Orchestral Manoeuvres in the Dark (early... > Read more

Dudley Benson: Deforestation (Golden Retriever)

Dudley Benson: Deforestation (Golden Retriever)

Dudley Benson – who recently received a $25,000 New Generation Artist award from Westpac – has a small, and some might say, perfectly formed catalogue. But it is small. By my... > Read more

Elsewhere at Elsewhere

MAD ABOUT THE BEATLES (2016): John, Paul, George, Ringo and Alfred

MAD ABOUT THE BEATLES (2016): John, Paul, George, Ringo and Alfred

Of course Mad magazine -- which had been skewering popular culture since its inception in the early Fifties -- would take an interest in the Beatles. Their hairstyles and distinctive appearance... > Read more

THE TAHI ALBUM, INDUCTED (2019): Number one, the first, and first of many

THE TAHI ALBUM, INDUCTED (2019): Number one, the first, and first of many

At the 10thannual Taite Music Prize awards held on April 16, I was invited to induct the Tahi album by Moana and the Moahunters into the category of the Independent Music New Zealand Classic Record... > Read more