Graham Reid | | 1 min read
From the opening title track here – a
windblown open-road rocker and statement of ferocious independence –
Etheridge confirms her credentials as someone who performs open-heart
surgery on the emotions while backing it up with powerful songs.
As with Springsteen, she also drops
into characters (the unfulfilled housewife in The Wanting of You,
the lonely inner life of a
famous star on Indiana) but tellingly delivers nakedly
autobiographical songs: the searing and bitter Miss California
presumably about her recent separation from actress Tammy Lynn
Michaels; clinging to life after her cancer on Drag Me Away
in which she roars “ I will not be a hostage to my own disease”.
Etheridge explores the cycles of
violence from parents to children and how love and trust can break it
(Heaven on Earth); goes stadium-anthem on We Are the Ones
with Indo-rock sounds, and Natasha Bedingfield and Joss Stone on
backing vocals; gets philosophical on the acoustic To Be Loved and
there's reflective acceptance of life/death on the closer,
Gently We Row.
Too often Etheridge has commanded
headlines for her personal life (relationship with Julie Cypher,
David Crosby as their sperm donor, marriage to Michaels then
separation, gay and lesbian activism, cancer) and while some of that
inevitably informs her music, this album stands for its universal
qualities – and at its best it rocks with righteous rage and
energy.
Angel - Aug 24, 2010
I am a major league Springsteen fan and it was thru his music I discovered Melissa Etheridge. I love the way they write and then own their characters.
SaveLove this one - can't wait to pick up the cd and hear the rest of it - think I might have to go shopping tomorrow.
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