Jessica Lea Mayfield: Tell Me (Nonesuch)

 |   |  1 min read

Jessica Lea Mayfield: Trouble
Jessica Lea Mayfield: Tell Me (Nonesuch)

With a languid delivery not dissimilar to Lucinda Williams but with a whole swag more alt.rock in her system, Mayfield certainly keeps excellent company: she appeared on the Black Keys' album Attack and Release (the Keys' Dan Auerbach produced this); she has opened for familiar Elsewhere names such as the Avett Brothers, Ray LaMontagne and Jay Farrar; and came into her current musical location via bluegrass and a love of Dave Grohl's Foo Fighters.

There's no bluegrass here though, folks.

This is (mostly) moody alt.country given an indie.rock twist'n'jangle -- and damned if she doesn't sound like a hurtin' Karen Black in the Jack Nicholson/Bob Rafelson film Five Easy Pieces on the monochromatic/monotone Trouble.

It's very much the stuff of a lonely motel room near a railway track in the Mid West, but with an electric guitar and buzzy amp, not a mournful acoustic.

Auerbach and the small band add slightly disconcerting trip-hop touches in places (Tell Me) and in others locate Mayfield in a strange western saloon -- but it is her self-assured lyrics which grab your attention: yes she's been hurt and there is a sexual backdrop, but she's more mature and confident than her lovers ("I ain't gonna change for nobody at all, I'm starting to like this new love I have found") and she has -- in her lyrics -- found her voice.

"I won't let you stand in my way" she sings on the wonderful, sad sounding Sleepless right at the end. "I'm not alone, I have company, an internal roar that won't let me be."

These could be read as feminist polemics, but they sound utterly personal discoveries.

And from the twanging, dreamy but gloom-laden opener I'll Be The One You Want Someday through the almost-soulpop and poetics of Blue Skies Again (the most mainstream track here) and the oddly cheap techno-groove of Grown Man (younger woman reassuring her older man, and herself, about the relationship) to the sexual Sometimes at Night (located in "one of those seedy outdoor motels") this is very different album which constantly unpsets expectations.

Jessica Lea Mayfield has country in her blood but a big city world weariness and -- like the best -- suggests she has lived these songs.

This really is quite something.

Like the sound of this? Then try this.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

John Mayall: Live From Austintx (New West/Elite)

John Mayall: Live From Austintx (New West/Elite)

John Mayall (whose Blues From Laurel Canyon in '68 appears as an Essential Elsewhere, see tag) was undeniably the man who founded the British blues boom in the early 60s and on his albums at the... > Read more

Snakedog: Road (Snakedog)

Snakedog: Road (Snakedog)

Singer-guitarist Dave Mulcahy (once of Flying Nun's JPSE back in the day) and drummer Steve Gilbero out of Christchurch in New Zealand have been chewing this one over for a while. Apparently they... > Read more

Elsewhere at Elsewhere

DeBARGE: IN A SPECIAL WAY, CONSIDERED (1983): Love in the school corridors

DeBARGE: IN A SPECIAL WAY, CONSIDERED (1983): Love in the school corridors

In this on-going series of articles about albums randomly pulled off the Elsewhere shelves for consideration, they've all made sense and have a memory/backstory somewhere. Except, so far,... > Read more

Various Artists: Sub Signals Vol 2; Selected and Mixed by Gaudi

Various Artists: Sub Signals Vol 2; Selected and Mixed by Gaudi

Using material by the likes of Pitch Black, David Harrow, The Orb, African Head Charge and Subset among others -- plus two tracks of his own featuring Groove Armada and Steel Pulse –... > Read more