Hiss Golden Messenger: Bad Debt (Paradise of Bachelors/Southbound)

 |   |  1 min read

Hiss Golden Messenger: Call Him Daylight
Hiss Golden Messenger: Bad Debt (Paradise of Bachelors/Southbound)

This quietly gripping acoustic album of faith and doubt, loneliness and family, affirmation and melancholy has a fascinating backstory.

Hiss Golden Messenger is MC Taylor from North Carolina and this album was recorded and released before his albums Poor Moon (2012) and Haw (2013).

He recorded in austere circumstances on a cassette tape-recorder in the kitchen at his home -- which was built by hippies who he says were shit carpenters so the place was freezing -- while his first-born baby son was asleep in a nearby room.

Out of these circumstances in which he questions his faith, country and place in the world, while nakedly revealing his own failings (Super Blue is subtitled Two Days Clean), come these intimate and thoughtful songs.

But that was just the start of the album's story.

As I understand it, the stock of the album was destroyed in a warehouse fire during the London riots of 2010. (The irony of a fire might have appealed to Taylor given his Biblical inclinations.)

The album has now been reissued in a gatefold sleeve with three extra songs (can't tell you what the sleeve contains by way of an essay, my copy is promo-burn) and as a cycle of emotions it is stark and compelling.

As much as he questions and doubts, there is also a thread of affirmation which helps weave these songs together. When he sings, "eventually I'll be set free and that will be fine" you get the crippling existential crisis he was facing, and yet he also sings of light and sunshine . . . and on O Little Light there is an almost a joy that repells all darkness and doubt.

Bad Debt is an album of rare emotional depth and honesty (try the intensely personal Far Bright Star as a questioning of belief), and despite the skeletal musical setting the songs transcend spare folk and reach towards something literary and philosophical.  

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Wheedle's Groove, Kearney Barton (Light in the Attic)

Wheedle's Groove, Kearney Barton (Light in the Attic)

Seattle’s claims to musical fame run from 60’s garage bands (the Sonics) through Hendrix, grunge and more recently Modest Mouse -- but it also once boasted a strong (if largely... > Read more

Norah Jones: Visions (Blue Note/digital outlets)

Norah Jones: Visions (Blue Note/digital outlets)

It's a fair observation to say that those who wail and rail against Yoko Ono's music have barely heard a note of it. Okay, some of her music could be challenging, but not all of it. However... > Read more

Elsewhere at Elsewhere

THE FAMOUS ELSEWHERE JAZZ QUESTIONNAIRE: Tom Ludvigson of Trip to the Moon

THE FAMOUS ELSEWHERE JAZZ QUESTIONNAIRE: Tom Ludvigson of Trip to the Moon

As one half of the production of the new Trip to the Moon album A Traveller's Tale – with Trevor Reekie – Tom Ludvigson brings a wealth of playing, writing and production experience.... > Read more

THE 2022 MUSIC PHOTOGRAPHY AWARD (2022): Fee Fi Foo won

THE 2022 MUSIC PHOTOGRAPHY AWARD (2022): Fee Fi Foo won

The second annual Music Photography Awards - Whakaahua Puoro Toa was run by the Auckland Festival of Photography, and was one of several events in the lead up to 2022's Auckland Festival... > Read more