Graham Reid | | 1 min read
Ron Gallipoli: 16000 Dead Pigs in the Huangpu River
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In the other real world Ron Gallipoli is Sam Bradford who was the singer in New Zealand's Sharpie Crows, but here he nails down some droll, pleasingly weird, socio-political lo-fi electronica-cum-light industrial post-punk.
It might be all over quickly -- nine songs in 34 minutes -- but he crams a lot of information (satirical comment) and sounds (nods towards bedroom-solo Chris Knox, what could be Asian field recordings in the manner of Jack Body, bent pop) into that time.
Not everything works (Getting Paid is a rather broad-brush social comment which stumbles on too long) but this is at its strongest in that Asia-framed 16000 Dead Pigs in the Huangpu River, the hypnotic two-minute industrial grind of Birdsong and Birthscene which opens like something from This Heat by eases into oddball crooner mode (but listen to the lyrics).
Ancestors is a surreptitiously and subversively pointed statement over a slinky and cheap groove, and Elephant Drum works a similar bottom end to almost funky effect. It's almost a pop song and deserves to be heard in that context.
There's a darkly funny piece entitled Fonterra and also the too-short Fascist Kyoto constructed from electronica, samples and cut-ups. It's very smart.
So this not so much an odd one -- given we can identify a number of prior reference points, even if he hasn't intended them -- but a fascinating excusion off the main highway into the romance of dark alleyways between factories and abandoned warehouses which offer a strange music of their own.
You can hear a whole bunch of Ron Gallipoli music here and this album is available on iTunes, Amazon etc
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