Jeff Kelly: Beneath the Stars, Above the River (Green Monkey/digital outlets)

 |   |  1 min read

Kiss the Moon Hello
Jeff Kelly: Beneath the Stars, Above the River (Green Monkey/digital outlets)

Seattle's Jeff Kelly has appeared many times at Elsewhere for over a decade, initially when we made the case for his classy and literate pop-rock with the band Green Pajamas (intelligent indie-pop and sometimes hitting the perfect pop-rock point of the Beach Boys and Beatles 1965-66), then in a different incarnation on acoustic-framed and artistic albums and now . . .

His travels to Spain and Portugal have opened the doors for him into flamenco and fado but he brings something of a more traditional pop-rock songwriter's ear and sensibility in his lyrics where images of mysterious women from a Romantic painting or a dark cafe in Madrid appear like phantoms.

“I fell in love again under the bells,” he sings on If Only, “dark beer and olives and smoke as the evening fell, the mournful ringing casting a spell.”

Later Cecelia, Queen of Hearts arrives: “If you need [a heart] broken, she's where it starts, you'll want her to hurt you, to torture you slow . . .”

These are beautiful and sensual women without mercy (O Vampira de Lisboa) and sometimes a bigger danger lurks (“where danger is just an x-ray away”) when Kelly considers a beautiful woman who scans baggage but has a lover and so the song is steeped in desire and sexual longing.

Kelly delivers these songs with an intimacy which brings them home and also propels others with convincing pop-rock (the guitar jangle Senor Senor which revert back to the greatness of Green Pajamas and Moon Over Granada touches the spirit of a more gritty Tom Petty in his Traveling Wilburys period) or move towards a dreamy Mediterranean heat (Hush of the Southern Night).

Kelly is one of those rare artists whose catalogue – like that of former Saint Chris Bailey and Steve Kilbey of the Church – seems to broaden and deepen with every release as musical curiosity is married to new experiences and lyrical refinement.

Here ,with musical influences from the Iberian Peninsula, his acute storytelling (Todo por la Gitana) and these sophisticated, poetic songs where he played just about every instrument himself, Jeff Kelly once again confirms he is a rare writer . . . especially when it now comes to wine, women and Spain.


The Green Monkey label – which has all the Kelly/Pajamas and many other releases which we have reviewed – can be found here.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Irving: Death in the Garden, Blood on the Flowers (Rhythmethod)

Irving: Death in the Garden, Blood on the Flowers (Rhythmethod)

Because my record collection has such wayward but much loved albums by bands as diverse as the Unforgiven (spaghetti western rock), the Shoes (power pop), Orchestral Manoeuvres in the Dark (early... > Read more

Howe Gelb and Lonna Kelly: Further Standards (Fire)

Howe Gelb and Lonna Kelly: Further Standards (Fire)

The always interesting Howe Gelb does exactly what he wants and in recent years that has seen the man behind desert psych-rockers Giant Sand work with Spanish musicians, write albums of piano... > Read more

Elsewhere at Elsewhere

WE NEED TO TALK ABOUT . . . Z'EV: He bangs the drum, and then some

WE NEED TO TALK ABOUT . . . Z'EV: He bangs the drum, and then some

When a couple of writers from the then-recently launched Re/Search tabloid went to visit the experimental percussionist known as Z'EV in 1981, the conversation was esoteric and philosophical.... > Read more

VARIOUS ARTISTS. ART FOR CHART SAKE, CONSIDERED (1986): Straight outta right-field Dunedin

VARIOUS ARTISTS. ART FOR CHART SAKE, CONSIDERED (1986): Straight outta right-field Dunedin

For many New Zealand artists the Eighties was the decade of EPs, cassettes and compilations. EPs were manageable if you only had a few songs you'd polished up, while tapes allowed more free... > Read more