Efterklang: Altid Sammen (4AD/Rhythmethod/digital outlets)

 |   |  1 min read

Supertanker
Efterklang: Altid Sammen (4AD/Rhythmethod/digital outlets)
As with so many Scandinavian art music/rock bands, the Danes behind Efterklang bring some considerable influences from classical music (contemporary and traditional) to what they do.

So baroque-pop and chamber music inclinations sit alongside intimate ambience, the broad scope of soundtracks, a symphonic grandeur and work with choirs or orchestral instruments (if not the whole shooting works).

After a substantial break, Efterklang – a core trio and often many fellow travellers – return with this earnest, nine-song album which often manages to be intimate and yet heroic in scope (as on Haender der Abner Sig which moves from up-close ballad to cinematic breadth then back to a long, slowly dissolving chord).

The last half of the poised Supertanker on this, their fifth studio album, owes as much to Terry Riley/Philip Glass repetition as it does to the choral scope of Sigur Ros which washes in over the top.

And that bubbling of repeated figures on synth keyboards also sets the backdrop for I Dine Onje and the seven minute Hold Mine Haender which becomes increasingly baroque with trumpet sounds and then a choir.

Vocalist Casper Clausen – who is centre-stage throughout – sometimes doesn't quite possess the rounded warmth of Anohni or Jonsi (of Sigur Ros) when he sings from somewhere just beneath the high cloud cover . . . a bit too sharp given the aural context (Uden Ansigt).

Yes, this time out it is all in Danish too . . . but Sigur Ros' invented language didn't seem to trouble many. However their music was more choral than this, where Clausen is very much in slightly agonised ballad voice. So that does tend to work against this for non-Danish speakers.

The album title, incidentally, means “always together” which is an appropriate name for a guiding ethos and the fact that they have come back after seven years of other projects.

Not quite the enjoyable gloom-cum-soul of Piramida seven years ago or their atmospheric breakthrough on Tripper in 2004.

But a pleasant check-in with a band which doesn't want for ambition even if it isn't always realised here.

You can hear this album on Spotify here

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

RECOMMENDED RECORD: Crowded House: Dreamers Are Waiting (EMI/Digital outlets)

RECOMMENDED RECORD: Crowded House: Dreamers Are Waiting (EMI/Digital outlets)

From time to time Elsewhere will single out a recent release we recommend on vinyl, like this one which comes in a gatefold sleeve with a lyric booklet . . . .  Many years ago Neil... > Read more

Bonnie Prince Billy: Lie Down in the Light (UKSpin)

Bonnie Prince Billy: Lie Down in the Light (UKSpin)

After establishing himself as the downbeat and somewhat gloomy singer-songwriter living in a half-lit corner of oldtime Americana, Will Oldham (aka Bonnie Prince Billy, Palace, Palace Brothers etc... > Read more

Elsewhere at Elsewhere

Milly's Peach & Blackberry (or any berry) Cake

Milly's Peach & Blackberry (or any berry) Cake

Camilla -- aka Milly -- who supplied this Firm Family Favourite says it's her "never fail, loved everywhere" recipe. Having flicked through the recipes at Elsewhere she decided there... > Read more

THE LURE OF A LAIR: Pumpkin candy and Korean pirates

THE LURE OF A LAIR: Pumpkin candy and Korean pirates

God knows what I was thinking when I went to Ullungdo. It certainly wasn't for the well-advertised local attractions which are, in no particular order, dried squid, dried seaweed and -- its... > Read more