Gramsci: Inheritance (digital outlets)

 |   |  1 min read

Gramsci: Inheritance (digital outlets)

The group Gramsci was a vehicle for Auckland singer-songwriter Paul McLaney. But it had been parked up for more than a decade while he explored other musical outlets, notably his Impending Adorations electronica series, his album of musical settings for some of Shakespeare's soliloquies, the recent Old Traditions album with pianist Raachi Malik, numerous collaborations . . .

And do we mention this album?

But here again comes the heavier, dreamy retro-psychedelic sound of Gramsci: singer McLaney on guitars and synths with guitarist Joel Mulholland and drummer Greg Haver.

His literate lyrics refer to emotional dislocation and need, commitment and failure . . . And regularly – because he has entered a period of sobriety – about dependency: On Tantalus; “you kid yourself it's a reward, it takes the edge off being bored” and Like a Scar; “just one drink 'cos I deserve it to take the fucking edge off”.

But far from being morose or self-lacerating and grim, these self-reflective lyrics are wrapped in musical reference points reaching from the sound of classic David Gilmour/Pink Floyd (the title track, Tantalus, Icarus) to elements of progressive rock (the gripping, cinematic ballad Ancient History), the intellectual end of gloomy post-punk/Joy Division (the brooding Like a Scar), late period Bowie-meets-Sisters of Mercy (Pride and Joy) and more.

And damned if the eight minute-plus, gorgeously melodic Atlas (“a change has come upon me”) right at the end – with a searing guitar solo burning across the centre and ending with what we might call a synth-created “pillow of winds” -- veers dangerously close to having real radio potential in an edit.

In many ways, McLaney hasn't belonged to any school or genre but has walked freely between them as the inspiration took him and he found the musical vehicle to best convey his ideas.

Here he has rediscovered the poetic power of a rock trio, the possibilities of widescreen sonic landscapes and guitar solos, and has pulled in elements of electronica (Hitting My Stride).

It's another impressive and different album from McLaney, brought into real presence by Mulholland and Haver.

Inheritance – the title suggesting the baggage and history we all carry, and our capacity to reinvent ourselves – is an album which sounds like it should probably come with a light show.

And that's another good thing about it.

You can hear this album at Spotify here and previous Gramsci outings at Spotify here. There will be a limited edition (100 copies) run of signed vinyl, see here.

Paul McLaney speaks about his journey to making this album at Elsewhere here

ASB_Instagram___GRAMSCI___OCTOBER16

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

Various Artists: Waiata; Maori Showbands, Balladeers and Pop Stars (EMI)

Various Artists: Waiata; Maori Showbands, Balladeers and Pop Stars (EMI)

After the interest in -- and award-winning success -- of Chris Bourke's marvellous every-home-should-have-one book Blue Smoke, this double disc collection seems almost mandatory. It scoops up a... > Read more

Dave Rawlings Machine: A Friend of a Friend (Acony)

Dave Rawlings Machine: A Friend of a Friend (Acony)

The quiet and often largely invisible power beside Gillian Welch, guitarist/singer-songwriter Rawlings here comes into the spotlight with a collection of folk-country and alt.folk-rock songs which... > Read more

Elsewhere at Elsewhere

Various: The Roots of Led Zeppelin (Proper/Southbound)

Various: The Roots of Led Zeppelin (Proper/Southbound)

To some small but much lesser degree we've been down this path before with the DVD Down the Tracks: The Roots of Led Zeppelin recently posted here. But as noted, that was interesting enough but... > Read more

TRAVELS IN THE TIME OF COVID #6 (2022): There's good news, bad news and worse news

TRAVELS IN THE TIME OF COVID #6 (2022): There's good news, bad news and worse news

By definition, you can’t prepare for the unexpected.  So  traveling through the  maskless  Covid lands means a certain inevitability about being infected... > Read more