Anna Coddington: Beams (Loop/digital outlets)

 |   |  1 min read

Anna Coddington: Beams (Loop/digital outlets)
Five years ago, when asked what artist she would most like to share a stage with, singer-songwriter Anna Coddington replied emphatically, “LIPS”.

On her tour at that time she had LIPS (2012 Apra Silver Scroll winners Steph Brown and Fen Ikner) as part of the double-bill.

Four years on from her previous album, the largely self-produced Luck/Time, and Coddington's fourth album Beams has LIPS producing and at times nudging some songs further towards electropop alongside Coddington's crafted, intelligent ballads.

At the core of Coddington's work has always been a sensibility about The Song, most often written on guitar. Production embellishment or studio shaping may follow, but the song remains central.

Because Coddington has had other musical outlets in recent years – in Fly My Pretties, with the Blackbird Ensemble and writing for television among them – she felt this new album could be more personal. Threads of motherhood, whakapapa and family bind the album together lyrically even as LIPS' production moves them in different musical directions.

Coddington deals with the imperfections and demands of parenthood (“The day will come when you discover, I'm not a God, I'm just your mother” on The Saint with Stains), Do I Exist? is an identity crisis set to a chugging pop-funk groove, and the title track with Louis Baker is a lyrically refined and unadorned statement about the joy of love and a delight in the natural world. There's not a surplus word in it.

There is musical sophistication here (the slight Latin shuffle on the life advice and korero of Night Class), production which can be arresting (the increasingly claustrophobic Pirouette) and not a little strangeness in the sound palette of the disturbingMagnesium and Coffee. There's also the funky-thumpy We See You with honking sax by Lewis McCallum.

The personal but universal nature of Coddington's lyrics and the guiding presence of LIPS make Beamsa collection of emotionally honest, pop-length songs wrapped in deft, sometimes dramatic or subtle, production.

And a confident step into a new arena for one of this country's finest and most consistently interesting songwriters.

.

There is more about Anna Coddington at Elsewhere starting here.

Anna Coddington's Beams is available now on bandcamp here.

Share It

Your Comments

post a comment

More from this section   Music at Elsewhere articles index

BEST OF ELSEWHERE 2008 TV on the Radio: Dear Science (4AD)

BEST OF ELSEWHERE 2008 TV on the Radio: Dear Science (4AD)

There are very few bands in rock culture that you could describe as genuinely avant-garde, but this ambitious New York outfit certainly fits the job prescription: they are musically ambitous,... > Read more

Ozric Tentacles: Paper Monkeys (Madfish)

Ozric Tentacles: Paper Monkeys (Madfish)

Some great bands can just go right past you if you're not paying attention, and by being a little too far out-of-it you might miss one that you actually need at those “special”... > Read more

Elsewhere at Elsewhere

BOB DYLAN, PLUGGING IN, 1965-66; PHOTO ESSAY #2 (2018): Getting that wild mercury sound

BOB DYLAN, PLUGGING IN, 1965-66; PHOTO ESSAY #2 (2018): Getting that wild mercury sound

Although there were no photographers and phone photos allowed at the recent Bob Dylan concert in Auckland, the promoters and Dylan's management provided images to the media to cover any articles... > Read more

GUEST WRITER DAVID G BROWN explains why he travelled to the world's worst places

GUEST WRITER DAVID G BROWN explains why he travelled to the world's worst places

Editor's note: The late David G Brown was born in Tuakau, a small town south of Auckland in New Zealand. In the course of his life -- he died in Helsinki, Finland in 2015 -- he travelled to 100... > Read more