Ceumar: Silencio (Arc Music)

 |   |  <1 min read

Ceumar: Penhor
 Ceumar: Silencio (Arc Music)

Brazilian singer-songwriter Ceumar recorded these 13 songs live in a Sao Paulo studio with a small acoustic group of players who are entirely empathetic.

There is a gentle and sensitive melodicism at work by all here, and Ceumar's intuitive jazz sensibilities are to the fore also.

Playing nylon string guitar alongside the cello, acoustic bass, mandolin and so on, she weaves her languid-sounding voice around these simple but effective songs (mostly original co-writes) and a highpoint is the title track at the end where brusque cello is the counterpoint to her intimate voice and the piece is elevated by a lovely clarinet part.

Music for those slow-pulse, wine-light hours.

Share It

Your Comments

post a comment

More from this section   World Music from Elsewhere articles index

Various Artists: Murshidi and Sufi Songs (Arc Music)

Various Artists: Murshidi and Sufi Songs (Arc Music)

Although we might describe these field recordings as more worthy and important than they are repeat-play items and essential on the shelf, they are deserving of our attention. Deben... > Read more

Karavan Sarai: Woven Landscapes (karavansaraimusic.com)

Karavan Sarai: Woven Landscapes (karavansaraimusic.com)

Multi-instrumentalist Narayan Sijan grew up in the American Midwest but since the early Nineties has traveled constantly through India and Central Asia and to East Asia. Even very recently he... > Read more

Elsewhere at Elsewhere

MARK WILLIAMS, SWEET TRIALS, CONSIDERED (1976): It was drag, and a drag

MARK WILLIAMS, SWEET TRIALS, CONSIDERED (1976): It was drag, and a drag

A bit later in life Mark Williams, originally from near Dargaville, could accept that the way he dressed – feminine clothes he'd made himself, eye-liner and make-up beneath a teased Afro... > Read more

Elsewhere Art . . . Miles Davis #2

Elsewhere Art . . . Miles Davis #2

Needless to say there is quite a lot about Miles Davis at Elsewhere, including my 1988 interview with him, hence the tagline at the bottom. I can't remember exactly what this piece was... > Read more