Graham Reid | | 1 min read
This core trio of tabla, bass and sitar (augmented in places with violin and vocals) began in Toronto as a solo project for tabla player Anita Katakkar who mixed live sounds with electronica. But it is now a fully-fledged performing and recording group inspired equally by Indian classical traditions and the possibilities of 21st century electric instruments and technology.
Katakkar
draws from relevant influences: the Beatles’ Norwegian Wood in the opening
Medley, and the increasingly exciting and intense Rain After Fire was inspired
by the fires in Western Canada two years ago. More surprisingly they interpret
YYZ, the song by Canada’s power rock trio Rush. And oddly enough it fits within
the whole orbit of this album.
Because
the leader is a percussion player, she notes much of her music is driven by
rhythm so there’s a groove which this group rides, as on the vigorous
Heliosphere.
The
appropriately entitled Dreaming allows for some ethereal vocal work and there
is an elegantly reflective but celebratory piece in Eesha’s Song written for a
friend’s daughter who died before her second birthday.
One
of the most moving pieces is a love song to Krsna sung by Samidha Joglekar, and
the album goes out with the contemporary electronica-cum-tabla piece Riffing on
9.
What
sets this apart from not dissimilar projects is the thick electric bass of Chile’s
Oriana Barbato – who has played in flamenco fusion bands -- which drives these
pieces as much as Katakkar’s tabla.
Small
Pieces is available from their website or on bandcamp
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