World Music
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Goran Bregovic: Champagne for Gypsies (Cartel!)
5 Mar 2013 | <1 min read
If everything on this album were as flat-tack as the boisterous opener with guests the Gypsy Kings, then you'd be breathless well before the midpoint. And, just a guess here, when Bregovic and His Wedding and Funeral Orchestra play at the Taranaki Womad later this month there will be that kind of furious energy on display. The well-known Bella Ciao here -- which will doubtless be in their... > Read more
Presidente
POTTED PROFILE: Allo Alaev of the Alaev Family (Tajikastan/Israel)
4 Mar 2013 | 2 min read
The grand patriarch of the Aleav Family out of Tajikistan, Allo Alaev, here answers a fast 15 questions which gives a little insight into how world music artists coming to Womad later this month come from a very different musical background. No X-Factor or Idol competitions for these people, no glossy magazine photoshoot on the basis of one hit single. These are people for whom music is not... > Read more
NURU KANE PROFILED (2013): A colourful tapestry of sound
27 Feb 2013 | 1 min read
One of problems world music artists suffer is some preciousness in their audience which would preserve them in amber like an anthropological specimen. They want an artist to remain true to some perception of “authentic”. But musicians, being the troublesome creatures they are, largely ignore such constraints and move on, assimilating influences, and extending the boundaries... > Read more
Afrika
WOMAD ARTIST 2013; ABIGAIL WASHBURN INTERVIEWED: From Middle America to Middle Kingdom
25 Feb 2013 | 12 min read | 2
Abigail Washburn was always going to work in China, but along the way she changed the how and the why of it. She started out aiming to be lawyer working in Chinese-US relations and maybe even a career diplomat, but these days – having picked up banjo and immersing herself in old time Americana music – she travels to China as a musician. And one fluent in Chinese, who sings... > Read more
Various Artists: Womad; The World's Festival (Carte!l)
17 Feb 2013 | 1 min read | 2
At a recent lecture-cum-talk to music-performance students about "world music" and what a sippery creature it is, I was asked what the common thread or identifying feature it might be. Aside from the obvious answer (none) I just said without much thought "rhythm . . . and beat" and then stumbled into the idea that much Western pop etc (outside of r'n'b) which they were... > Read more
Sugar Bee
WOMAD ARTIST 2013; MARTIN PERNA OF ANTIBALAS INTERVIEWED (USA/Africa)
11 Feb 2013 | 8 min read | 1
They might have come thundering out of Williamsburg, a suburb on New York City, but the big ensemble Antibalas have a mainline connection to the sounds of Afrobeat (particular that of it's inventor Fela Anikulapo Kuti), James Brown-influenced funky soul grooves and driving criss-cross rhythms. Founded in a warehouse, the band drew its members from a bunch of Afrobeat and Latin music... > Read more
The Ratcatcher
Samuel Yirga; Guzo (Real World/Southbound)
4 Feb 2013 | <1 min read
With the Ethiopiques reissue series, the rediscovery of Mulatu Astatke, groups like Dub Colossus and Syriana, and singer Mahmoud Ahmed, the music of Ethipia has certainly garnered attention in recent years. This album by a gifted young and classically trained Ethiopian pianist/composer has more than enough rhythmic and melodic elements from his homeland to place in under world music,... > Read more
Abet Abet
Tim Maia: Nobody Can Live Forever; The Existential Soul of Tim Maia (Luaka Bop)
27 Jan 2013 | <1 min read
Although obviously a hard guy to live with, Tim Maia – who died in '98 aged 55 – was a larger than life character in Brazilian music. He was a man of excesses and some of his song titles hint at his philosophy (Let's Have a Ball Tonight, I Don't Care, You Don't Know What I Know). There was a musical about his life and he certainly had stories to tell. At 17 he illegally... > Read more
O Caminho Do Bem
WOMAD ARTIST 2013; AMIN ALAEV OF THE ALAEV FAMILY INTERVIEWED (Tajikistan)
25 Jan 2013 | 4 min read
Interviewing world music artists is often interesting, sometimes fun and frequently frustrating. Speaking to Amin Alaev of the Alaev Family – who play the Taranaki Womad – is all three. First of all he's in a phone shop because his mobile is going to die on him any minute, and second he speaks little English beyond a few polite sentences so we go through the group's... > Read more
Imshab Shabi
ELSEWHERE'S FAMOUS WOMAD QUESTIONNAIRE: Kris Drever of Lau (Scotland)
21 Jan 2013 | 3 min read
With some slight variations on our Famous Elsewhere Questionnaire to suit the world and worldly musicians playing at this year's Womad (details below), we now offer Elsewhere's Famous Womad Questionnaire . . . and I'm delighted the first to be posted is by a group from the country where I was born, Scotland. Lau are an award-winning three-piece who play a unique mixture of traditional (but... > Read more
Gallowhill
Perunika Trio: A Bright Star Has Risen (ARC)
21 Jan 2013 | <1 min read
While there can be a few problems with "file under rock" or "file under world music" on your album cover, having "Voices of Bulgaria" on your cover as a subtitle inevitably invites comparisons with the great ensemble Le Mystere des Voix Bulgares. Almost 30 years ago that group arrived with a remarkable album of unaccompanied vocals which were heart-stopping in... > Read more
Na horoto
Kristi Stassinopoulou and Stathis Kalyviotis: Greekadelia (Riverboat/Southbound)
7 Jan 2013 | <1 min read | 1
Adding the suffix -adelic to a style (folkadelic) or album title as in this case, isn't always quite as helpful or true as it seems. This well-established traditional-into-today duo – who employ loops and electronica alongside harmonium and lauto (lute) – don't live up to the tripped-out suggestion of this album title, however this (like a previous outing) has topped... > Read more
Anamesa Nissirou
Ana Alcaide: La cantiga del fuego (ARC)
2 Jan 2013 | <1 min read
Although perilously close to New Age music in places, this gently beguiling album should find wide favour because within it are familiar melodies and chord progressions found in Celtic folk (think Clannad) and Northern Europe, but she also brings North Africa sounds too which add exotic spice. Quite a seductive mixture by this Spanish singer, songwriter and practitioner of the nyckelharpe (a... > Read more
Khun caravan
Balkan Beat Box: Give (Crammed Discs/Southbound)
29 Dec 2012 | <1 min read
The cover here -- megaphone as gun/gun as megaphone --gives you a clue to the BBB out of New York who mash up dance culture, dub, Balkan styles and much more into often bruising techno-rock . . . and throw in socio-political messages about how people are exploited, the evils of greed and Enemy in Economy. All this to club-shaking and block-rockin' beats. They can be superficial... > Read more
Urge to be Violent
RAVI SHANKAR (1920 - 2012): More Than One Lifetime
13 Dec 2012 | 18 min read | 3
My collection of schoolboy poetry which I would agonise over late at night, laboriously using my Scripto fountain pen and Radiant Blue ink, has long since vanished. Thank God. I’m sure it was full of adolescent anxieties -- one “poem” was about Oedipus, about whom I knew nothing other than I liked the name. But one piece remains with me in the memory. It was called... > Read more
WOMAD NEW ZEALAND 2013: When the world comes to town
1 Nov 2012 | 5 min read | 1
Time for all good citizens of the global village to get their passports stamped at yet another Womad New Zealand, once more in the beautiful site at Taranaki, New Zealand. Over three days in March 2013 (15 - 17), musicians and performers from all parts of the globe will bring their music and culture to entertain, illuminate and thrill those looking for something just a bit different, new... > Read more
Many Rivers to Cross
Staff Benda Bilili: Bouger le Monde (Crammed Discs/Southbound)
29 Oct 2012 | 1 min read | 1
Recently while looking out music for a DJ night of African music I played dozens of tracks at home back-to-back searching for the best sounds . . . and one thing became very clear. Most of this stuff would drive people crazy and I'd get booted out the bar. The relentless chant-sing style of so much of what I played at home became off-putting even to me, and I like this stuff . . . so I... > Read more
Ne me quitte pas
Mucca Pazza: Safety Fifth (muccapazza.com)
28 Oct 2012 | <1 min read
What with the funky lineage out of New Orleans, the woozy sound of the late Lester Bowie's Brass Fantasy and the likes of the free-wheeling Hypnotic Brass Ensemble, the ground has been well prepared for this big band (like HBE, from Chicago). These heretics throw funk, rock, avant-garde jazz, imagined movie themes, a smattering of world music (tango in the house!) and a dozen different... > Read more
Sexy Bull
Victor Ghannam and Jacco Muller: Palace of Dreams
22 Oct 2012 | <1 min read
Regrettably like the proverbial curate's egg, this is good in parts. But then again, too few to mention. Following their Viento del Desierto collaboration in 2009, Dutch flamenco guitarist Muller again teams up with oud player Ghannam. And on paper this looks an even more daring bridging of cultures and styles which brings in electric guitar, tabla drums, synth-strings and... > Read more
Old Snake Boots
Vusa Mkhaya: Vocalism (Arc)
17 Oct 2012 | <1 min read
The recent Paul Simon concerts and reissue of Graceland doubtless reminded many of the vocal power of the great South African ensemble Ladysmith Black Mambazo who were on that album and Simon's subsequent tours. If you yearn for an artist who can hit the middle ground between Mambazo, genius juju guitarist King Sunny Ade and a kind of fine-grain sandpaper soul style, then Vusa Mkhaya... > Read more